el paso del empo. Fui a la universidad para estudiar arte y diseño, pero me encontré con un montón de músicos, mientras yo estaba allí y también tengo más en la escena del metal. Chris Barnes fue una influencia temprana, después Ma Way, Frank Mullen, y Joe Horvath y más.
16 ‐ ¿ Cuál es la escena de Massachuse s?
La escena en Massachuse s es muy fuerte. Tenemos muchas buenas bandas en diferentes subgéneros de la música extrema, DEATH METAL, BLACK, THRASH, y GRIND CORE. Ha sido un lugar muy inspirador e influyente de haber crecido más.
17 ‐ Comentarios finales? y cualquier cosa que desee agregar
Tengo muchas ganas de volver un día a Colombia y América del Sur para más espectáculos! Gracias y todo lo mejor para Scumzine!
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Here Ricardo Bedoya of SCUMZINE, how are things in the band?
Currently very well, just got back from Brutal Assault fes val, where we met our great success, we are really happy to see that we begin to expand our name also throughout Europe as well as America
ANTROPOFAGUS
1‐Tell us about the first CD label COMATOSE MUSIC " ARCHITECTURE OF LUST "?, Tell us a bit? And what is the meaning contains the album tle?
The tle comes from our strong themes inspired by horror master Clive Barker, is a mental journey to the pleasure of death in the most carnal mind as well that, just like in a movie " Hellraiser " The ANTROPOFAGUS have always been inspired by the great names of horror cinema( homegrown or not).. The representa on of his world ed really well with the new material. Barker has always had the ability to transcend the Catholic belief monotheis c Hell / Heaven, crea ng forms and images beyond any conven onal design.
2 ‐ As has been the acceptance of CD by fans and the press extreme?
excellent!, we received excellent feedback from Europe ', the thing that surprised us is receiving good response from America and Asia! we are completely sa sfied with how people are suppor ng Antropofagus, sales are going well, it ' s much harder to sell the product, so we are very surprised!
3 ‐ W hy was c h o s e n t h e n a m e " ARCHITECTURE OF LUST " for the last album?
Because it represents the full message of our whole concept, as men oned previously this should be thought of as a work of art hellraiser, one of his crea ons of death
4 ‐ How long will I take to write and record this album " ARCHITECTURE OF LUST "?
I spent many months, we have had during composi on also two changes of line‐up, slowed down a lot but in the end came out a good product, have been employed two years, the problems always come, it is important to
5 ‐ Who are the main composers of the band?
I am, I always have the opportunity to apply my style to the band, so it is quite recognizable and not lose our trademark 6 ‐ Why so long to release another album, what has happened in the band?
When it came out No waste of flesh we were very young, we have not been able to manage our small success, we had so many ideas but then we had no head clash with private life, we were not very lucky being considered Italian, so this could not allow to us to live with music, it was a shame, because if ANTROPOFAGUS was born in America probably would have been different success. we disbanded in 2002, but then in 2009 I decided to reform the Antropofagus, I started to compose new songs, I quickly found new members, two new tracks were recorded to be published as a promo on. We have received many offers from major labels of death metal industry, among the many proposals we have chosen Comatose Music, this label is based on love of music and not for profit money, we have found Steve Green, the best manager and a great man! we have a very good rela onship with him, we are proud and very happy with his work. Currently we can not get be er.
7 ‐ How was the process to go through to get the musicians who now form the band?
Was a natural process, all old members are busy, some of them do not sound any more tool, so I asked for their first reunion, but I got nega ve feedback and then I found elsewhere excellent musicians who definitely have given a lot of stability and harmony within the