between 30hz to 2,000hz. When you play music
on a high spectrum, it will be defined as noise
but in actual fact it’s not. So what we are doing
is creating music from what is termed as ‘noise’.
Over here in Ghana when you mention EDM,
it is termed as ‘noisy music’ but it’s not a noisy
music – we want to put it out there that EDM
is not a noisy, it’s about art. If you really under-
stand music and sound, you will understand and
appreciate the art we put in there.
CLS: So you guys are the Da Vinci and Galileo of
music then
BST: You can put it that way hahaha. The inter-
est thing is we’ve come across people who listen
to EDM but don’t know it by name, so EDM isn’t
that foreign to us.
CLS: Have you been playing shows in Ghana?
BST: Oh yeah, we have been played at Pent Hall
week. We played at Mensah-Sabbah hall. In
2017, we played at the Chale Wote Festival. That
gig was supposed to be an experimental one but
we had people dancing and enjoying our perfor-
mance. We played at the 2018 Manifestives.
CLS: I discovered EDM music in Ghana; those
days we called it techno. It’s an interesting
genre, if you ask me. What should we expect
from Basstrvpz in 2019?
BST: For us it not just about releasing projects.
We look at releasing masterpieces out there; we
want to put out materials that will live on forev-
er. There will be a lot of releases for 2019. Our EP
will be out this year; the Bass Comet.
CLS: Tell me more about the EP?
BST: Bass Comet is similar to the landing of an
actual comet. That is us spreading our vibes from
the diverse areas of EDM that we specialize in.
We have Trap, House, Afro EDM and more. The
key is that there’s diversity which will be con-
verging at one singular point, which will then
spread across.
CLS: Any collaboration?
BST: Yes, a number of collaborations. We have
one with EL, A.I and J. Derobie. These are the
some of the collaborations that will be coming
out in 2019.
28 | Colossium . March 2019