AV News Magazine | Seite 37

AV News 183 - February 2011 WAVES Tony Scammells The attendance on 13th November at WAVES was augmented by some thirteen visitors as WAVES was honoured today by the presence of the husband and wife team of Linda Gibbs DPABG AV-FIAP and Edgar Gibbs FRPS DPAGB AV-FIAP from South Wales who presented their programme 'Our way with digital AV' to the membership. They delighted the members with their personal introduction spoken in unison then individually to explain their personal philosophies including the fact that they're 'constantly learning by producing and presenting sequences on a variety of themes', speaking alternately at this point and showing a sequence entitled 'London Light', a reminiscence of an evening in the gloaming spent around the Houses of Parliament, Big Ben, the Thames and the London Eye. Linda then took centre stage to her theme of 'What's an AV?' together with a screen presentation of all the salient points, illustrating her talk with 'The Field of Miracles', a sequence based on the area and historic buildings including and adjacent to the Leaning Tower of Pisa. Linda then proceeded to explain in some detail the components required for the making of a sequence, commencing with the basic idea then choice of appropriate sounds, selection of images, timing and synchronisation. With Edgar non intrusively augmenting Linda's commentary, she explained and demonstrated the moves required in Photoshop to achieve the effects required and the part played in many AV productions by PicturesToExe 6.5. Linda illustrated this part of her programme with 'The Chinese Garden', a gentle stroll through an Oriental garden. This was followed by 'An Italian Intrigue', the history of the creation of Portmeirion, 'a little bit of Italy in Wales' and a designated conservation area. Next came a poignant sequence entitled 'Love Remembered' with words by William Shakespeare to a gentle piano accompaniment, dawn, birds, mists, woods lit by the early rays from the sun, saints, fields of poppies, (one with a face). Linda related each effect in these sequences to her demonstration of Photoshop and PTE, an educational and inspiring performance. Finally Linda, screened the 'The Black Chair' based on a Belgian craftsman who'd fled to England. He'd made the famous Black Chair, named by the Druids which was to be presented to the Welsh poet Hedd Wynn, who died in the hell of Paschend