Art Chowder March | April, Issue 26 | Page 14

MJ: Growing up, there were years when you were financially poor, but always family rich. How did you/ your parents afford canvas and paints during those more difficult times? Akiane: My parents saved a little each and every day. They used what they earned from cooking and teaching to buy me supplies. When I was around six years old, I also started to teach to earn extra money for my canvases. MJ: Teaching at six? How did you do it? Akiane: My mother and I worked together. We wanted to do two things: make money for my painting supplies and incorporate the community into various artistic endeavors. We invited other children and teens to our home to explore painting, sculpting, dancing, and singing.   MJ: Are there any artists (living or dead) whose work you admire? Akiane: There are many extraordinary artists around the world like Vermeer, Caravaggio, Utagawa Toyokuni, Banksy and Peter Paul Rubens. But I try not to compare myself with other artists.   MJ: What medium do you currently work within?  Akiane:  Always acrylics!  MJ: The “About” section of your website mentions that you don’t so much use your paintbrushes as abuse them. How many paintbrushes do you go through in a month? Akiane: Hahaha, yes that’s true. About 70 percent of the brushes I use don’t survive for long, and I go through about four detail brushes every two weeks or so. MJ: Your site also says that the “survivors” are given as gifts? Akiane: Hahaha, oh my. Well, yes. Some of them are given to art collectors, but mostly my parents and brothers hang over me asking to take the “survivors.” MJ: Music is a large and lovely component of your videos. Do you paint to music or do you require silence? 14 ART CHOWDER MAGAZINE