ARMY Magazine - Special Issues ARMY Magazine Yoongi Special Edition | Page 12

• A . :_· ' �- .-:��;_:\ . -�\·: : - . , ' .. " - ·, . , ' •' •, ' ··; _.: "." i".-' ,· ----, ' . . : · .. ,\' ' ' . -- ·.,. YOONGI HAS NEVER BEEN ONE TO SHY AWAY FROM DISCUSSING HARSH TOPICS OR FROM USING HIS POSITION TO INCREASE CONVERSATION ABOUT ISSUES WHICH HAVE AFFECTED HIM PERSONALLY. • . <, J_ 'la.�. ,J . · . ,: • . Written by: Liv I Edited by Sam and Vienna I Design by Eli Yoongi's self-titled mixtape (under the stage name Agust D) ''Agust D'' is a 1 O song rail against the system, haters, and those who doubt him. ''Agust D'' puts Yoongi's career struggles and mental health issues at the forefront, trading his position as a K-Pop idol for one that is solely his own. The mixtape opens with ''Intro; Dt sugA'' which serves to introduce listeners to his al­ ternate persona Agust D, dropping themes from the album. Bombast quickly ensues with the all-out, driving track ''Agust D''. The title track samples James Brown's ''It's a Man's Man's Man's World'' and features a beat that is constantly pushing forwards, creating a grungy, harsh hip-hop sound. Yoongi spits lines about his lofty goals, shouting out Billboard with aggres­ sive diction; Agust D serves as a forceful proclamation of the self ("a to the g to the u ... "), with a flexible flow that places him not only among idols but among k-rappers as well. The bombast flows directly into ''Give It to Me'' in which a driving beat alternates between heavy and light, creating and decreasing distance between him and the listener. The beat isn't afraid of room, and effectively uses pauses and mo­ ments of silence to add emphasis, and to put the listener off kilter. It's old school, but no holds barred, putting an emphasis on Yoongi's flow and lyrics, calling out all those who doubt him as a person and an artist.