Anderson Ranch Arts Center 2015 Summer Workshop Catalog 1 | Page 36

Del Harrow, Haw Case (detail) David O. Crenshaw, Skeletal Teapot Lynn Richardson, An Alchemist’s Garden June 1 - 12 June 15 - 19 computer-aided design Introduction to Digital Design & CNC Routing June 15 - 19 Del Harrow David O. Crenshaw Lynn Richardson SKILL LEVEL: II - IV SKILL LEVEL: Open to all SKILL LEVEL: ll - lV CONCEPT: Clay is a solid form, but design is a fluid process. This workshop explores strategies and techniques for integrating computer design into the process of creating forms with clay. Del teaches us how to incorporate computer-aided design, machining and prototyping into our studio practices. These methods are tools for artists and for educators interested in building technology into ceramics or sculpture curriculums. While our focus is on specific strategies, we also investigate the wide range of practices within the broader field of digital fabrication. CONCEPT: The course introduces basic design concepts using Rhino CAD (computer aided design) software. Students take their computer designs and use them to render a 2-D or 3-D model. Through the use of CAM (computer aided machining) software and the CNC (computer numerically controlled) router, the designed model will be output in a range of materials including wood, machineable clay, or wax. CONCEPT: How to transform the “printed” object into a work of art? From concept development to production this workshop tackles issues around digital fabrication. We create basic designs using the Rhino software merged with digital files created with a 3-D scanner. Our objects are made on Makerbot 3-D printers then transformed through basic silicone mold making and plastic casting applications. MEDIA & TECHNIQUES: Students will primarily use solid wood and MDF (medium density fiberboard). Students may use machineable clay for mold making, or machineable wax for lost wax casting. We will explore Mastercam as our CAM software. MEDIA & TECHNIQUES: Students use Rhino Design Software, Scan Studio/Next Engine Scanner, Makerbot 3-D printing, PLA and ABS filaments silicone mold making and an introduction to plastic casting. Students are encouraged to bring laptops with current design software. Digital Clay: MEDIA & TECHNIQUES: Students use a range of CAD software and computer controlled machines, CNC Machining and 3-D printing in tandem with more traditional, manual techniques, midrange porcelain and stoneware, including slab building, slip casting and plaster mold making. Our goal is to develop our own set of individual, “hybrid” techniques. ACTIVITIES: After an introduction to the equipment and software capabilities, students will be guided through setup, orientation, and operation of the CNC in relation to their creative goals. Design and operation will be accompanied by related literature to enhance understanding, availability and continued application of CAD/CAM technology. Silicon Molds & Digital Process ACTIVITIES: We learn through demonstrations, slide talks, creativity discussions and individual help from the instructor. FACULTY: Del Harrow is an Assistant Professor of Art at Colorado State University. He has lectured at the University of Colorado, Alfred University and Harvard University. His work has been shown at the NCECA conference, the Dolphin Gallery in Kansas City, MO, and the Denver Art Museum. www.delharrow.net FACULTY: David O. Crenshaw is the Director of Digital Fabrication at Alfred University, NY. He instructs art/ engineering students in modern technology. In his artistic designs he employs new technology such as laser scanning, CNC, CMM, rapid prototyping, and manufacturing software such as Rhino, Solidworks (CAD) Mastercam, and Artcam (CAM) to join porcelain with metal to create a harmonious relationship. www.dollingercrenshaw.com FACULTY: Lynn Richardson received her M.F.A. from the University of Texas in Austin in Sculpture and holds a B.F.A. from the University of Manitoba, Canada. She has presented her sculpture in numerous exhibitions throughout Canada, the United States and Asia. Recently her work has been in museum exhibitions including the Flag Day at the Islip Museum and The New England Biennial at The Brattleboro Museum. Lynn has received grants from both the Winnipeg and Manitoba Arts Councils and the Canada Council for the Arts. Additionally, she was awarded the prestigious Joan Mitchell Foundation M.F.A. Grant. Tuition: $875 OR Tuition + Studio Support Donation: $1275 Studio Fee: $155  Code: C0102   Enrollment Limit 12 Tuition: $775 OR Tuition + Studio Support Donation: $975 Studio Fee: $95  Code: W0306  Enrollment Limit 10 Tuition: $875 OR Tuition + Studio Support Donation: $1075 Studio Fee: $95  Code: S0304  Enrollment Limit 10 ACTIVITIES: We engage in daily demonstrations, slide lectures and work in the studio. 34  andersonranch.org  970/923-3181  [email protected]