БҚМУ жаршысы - Вестник ЗКГУ БҚМУ жаршысы - Вестник ЗКГУ | Page 308

БҚМУ Хабаршы №2-2019ж.
close acquaintance with the world classics: “sage” in “Depression”, if you
remember Abutalip in “Drifty station”, the words of the main character in the story
“Zhaukhar”: “I don't want to bring posterity to this world. And it will die, carrying
grief and sorrow. I want to do a good deed without having given birth to one
unfortunate person ”- echoes Hamlet’s words to Ophelia. The value in A.
Mantaeva's prose are thoughts in a particular direction, cognitive, aesthetic new
levels that were alien to Kazakh literature until that time.
Writer, dramatist Dulat Isabekov in his thank-you word to the collection
“Rainy Spring”, states that he reads Ayagul Mantaeva’s stories on the pages of the
periodical press and admires her style, different character of her images and true
plot [4, 3 p.].
According to the writer: “The reader finds his life from every good story.
Stories like “Rainy Spring”, “Tompack”, “Margarita”, “Image”, “Muse” cause
longing for his past life from far stranger , or bring them into a state of narration of
their experiences. In general, the stories of Ayagul not leave anyone indifferent.
After reading the collection, the soul is filled with a sense of satisfaction, as if the
warm breeze of the South passes through the breasts” like she gives her assessment
[4, 4 p.].
The fate of the Ayagul’s characters, which are full of ridiculous nonsense, full
of threats, show the authors' point of view to today's life:
“Loving someone, sympathizing with someone is a very funny, wild, impolite
feeling for me. Pity for the people around me is self-pity. When I think that life is
not eternal, that all of us will ever die, the heart delights with joy.
Hugging over the shoulder:
-
Love you, - he whispers in my ear.
I frowned, feeling the smell of the corpse.
-
Do not you smell the corpse from me? – I said.
-
Playing with death is a mockery of God, - he said, frowning.
-
We are all toys in the hands of God, - I said stubbornly. - I admit death is
more than being a toy” [3, 78 p.].
Today, the younger generation is spoiling their lives by saying “I admit
death is more than being a toy”. Words of the cruel, lack of a sense of
responsibility character can be considered an attack of the mind of Western
ideology. The modern man, who has not put a filter for a fast pace of information,
has lost the tradition, on the occasion of his mind repeats the quirky actions of the
monster seen on the television screens.
The hidden guesses and causes of such suddenly born stories reveal the illness
of the present generation, the wounds of human souls. Fate, spiritual struggle, the
life regrets of today's people require special interest, attention and understanding
from writers, which study every phenomenon.
In short, the peculiarity of Ayagul Mantay is that in any of her stories there are
valuable thoughts about the essence of existence, about the birth of the universe,
about the essence of man.
Generally, if you take, in any story the writer truly describes the complex fate of
today's compatriots, various sensual, psychological phenomena in their spiritual
world, whirlpools of inner feelings, actions where their traces are visible, obstacles
born from inner raging and meditating, decisions of characters. In Kazakh prose the
sample of postmodernism has not completely replaced the traditional poetic
instruments, they both develop in parallel, as we see in our article.
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