Without forgotten "the grand mother of the performance art" as she describe herself : Marina Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.
In the same way Rodnay Graham, a canadian artist and a musician work and play with his image. for him: ‘You don’t have to delve very deeply into modern physics to realise that the scientific view holds that the world is really not as it appears. Before the brain rights it, the eye sees a tree upside down in the same way it appears on the glass back of the large format field camera I use.’
Vito Acconci work in the same way he used his own body as a subject for photography, film, video and performance.
For Lois Keidon with LADA: "Whether challenging the orthodoxies of fine art practice, exploring the limits of theatricality, appropriating the idioms of mass culture, pushing at the boundaries of choreographic conventions or exploring the performativity of cyberspaces, Live Art practices occupy all kinds of mediums in a volatile state. From the forbidden to the hidden, from demonstrations to presentations, from the domestic to the galleries of Tate Modern, Live Art is actively engaged within a plurality of cultural contexts and critical discourses. Live Art is an expansive body of approaches offering audiences immersive experiences, engaging them as complicit partners in the making and reading of meaning. In the simultaneity, interactivity and convergence of our media saturated culture, Live Art invests in questions of immediacy, reality and hybridity: creating spaces to explore the experience of things, ambiguities of meaning and the responsibilities of agency. Live Art practices have constructed new strategies for the expression of identities beyond the old distinctions of ethnicity, gender and sexuality; where the disenfranchised and disembodied become visible, where the politics of difference are contested, where complexity is confronted and new ways of being in the world are illuminated."
Without forgotten "the grand mother of the performance art" as she describe herself : Marina Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.
In the same way Rodnay Graham, a canadian artist and a musician work and play with his image. for him: ‘You don’t have to delve very deeply into modern physics to realise that the scientific view holds that the world is really not as it appears. Before the brain rights it, the eye sees a tree upside down in the same way it appears on the glass back of the large format field camera I use.’
Vito Acconci work in the same way he used his own body as a subject for photography, film, video and performance.
For Lois Keidon with LADA: "Whether challenging the orthodoxies of fine art practice, exploring the limits of theatricality, appropriating the idioms of mass culture, pushing at the boundaries of choreographic conventions or exploring the performativity of cyberspaces, Live Art practices occupy all kinds of mediums in a volatile state. From the forbidden to the hidden, from demonstrations to presentations, from the domestic to the galleries of Tate Modern, Live Art is actively engaged within a plurality of cultural contexts and critical discourses. Live Art is an expansive body of approaches offering audiences immersive experiences, engaging them as complicit partners in the making and reading of meaning. In the simultaneity, interactivity and convergence of our media saturated culture, Live Art invests in questions of immediacy, reality and hybridity: creating spaces to explore the experience of things, ambiguities of meaning and the responsibilities of agency. Live Art practices have constructed new strategies for the expression of identities beyond the old distinctions of ethnicity, gender and sexuality; where the disenfranchised and disembodied become visible, where the politics of difference are contested, where complexity is confronted and new ways of being in the world are illuminated."