Yawp Mag Issue 28: Race, Culture and Humour | Page 19

and Offensive anymore inappropriate, vulgar, or even more race fuelled than before - the face of comedy had changed and Davidson either failed to realise, or just didn’t care. Perhaps Davidson saw himself as an anomaly; maybe he believed a comic enjoying success for such a substantial period of time was within their right to have that opinion, or maybe he just didn’t know what else to joke about. Whatever viewpoint he adopted, it ultimately led his career to a withering end. It seems likely that Davidson believing he was an anomaly was to his downfall, but much like all things in life, racism in comedy has an anomaly with many grateful up-comers ready to exploit it. A ploy used by many comedians, predominantly those who are relatively new to the comedy scene, is performing jokes about their own race or ethnicity. Chinese comics, for example, seem to have obtained license to joke, about Chinese race or culture. The reasoning behind this isn’t completely clear; one argument could be that if the so called ‘victim’ of the joke isn’t offended, the the audience shouldn’t be either. Another potential justification is that sometimes, some people are offended, yet as the creator of the joke can laugh about it, why draw attention to it? This niche in comedy seems to be on the rise, some comics, uprising comedienne Shappi Khorsandi for example, has routines dedicated to the art of making fun of her race. Her first televised performance at ‘Live at the Apollo’ consisted almost entirely of jokes about her Indian upbringing, (to her credit they were executed admirably) yet it appears unlikely this genre of comedy will continue unscathed for too much longer. Some see it as a device deployed to conceal a lack of ability to analyse other parts of society in a humorous manner, therefore it may be popular for a while, but added substance will be needed to avoid just being the flavour of the month. Thankfully, the size and quality of comedy seems very much to be on the rise, in turn the tolerance to other areas of comedy appear to be growing day by day, where a twitter apology is often enough to soften any potential complaints. Yet tolerance towards racism has, and rightly so, been gradually withdrawn. As society progresses our standard of comedy progresses with it, to the extent that in the modern day it seems that, with the aforementioned exception, racist humour is very m Ս