Yawp Mag ISSUE 21: Producers of Comedy | Page 25

roducer Needs to put together line-ups! The second is her line-up spreadsheet, which helps her keep track of who’s on and when. When booking over ten acts a week, it’s no wonder she needs a spreadsheet to remember who is going on when. scene because of the number of incredibly passionate people she has had the pleasure of working with. “Being around people who are supportive not only of their own careers but the industry as a whole is so inspiring”, and don’t underestimate how contagious that inspiration can be! You must have an appropriate venue! management believes in your vision and purpose for running the comedy night there. After all, they have to trust you with their funding for the show, and to allow you to use the space to do what you do best. Small spaces are more appropriate for comedy, for intimacy and so it always feels full. She says that “large halls and high ceilings are a big no no!” There’s too many comedy rooms in Melbourne to settle for an average venue. Anything that sets apart your room from others is invaluable to the success of your room. This also helps to bring in a crowd that isn’t completely made up of other comics. “large halls and high ceilings are abig no no!” Industry support is the next big thing that makes you a better producer, according to Phoebe. “It doesn’t hurt to have a coupe of reputable and successful comics on your side,” she says, especially when you’re a new face starti