Yawp Mag ISSUE 21: Producers of Comedy | Page 24

Top 10 Things a Pr Sera Ghaly I recently had the pleasure of interviewing comedy’s newest producer on the scene about exactly what it takes to produce good comedy. As it turns out, having good comedians is a healthy start, but there’s more to it than that. According to Phoebe, a good comedy production is a combination of logistics and hard work that although doesn’t pay well, is highly rewarding. Phoebe’s number one need (and probably the biggest struggle to acquire) is time. Most comics and producers are not highly paid, “if paid at all”, according to Phoebe. This means most of those in the industry are starved of spare time because of all their working commitments. She says it is imperative to make time to visit all of the comedy rooms and check out most comics to keep up with the constantly developing industry. Phoebe says overcoming this hurdle is next to impossible without a passion for comedy. “It’s not a part-time job”, she says, and it consumes a lot of your personal time to do it, and without a passion for the job and the industry it would be too hard to get motivated. I suppose that this is an ongoing struggle for all those that are a part of the creative endeavor. It’s important not to forget that the love of what you do is what motivates you when your efforts seem sometimes wasted. Another necessary skill for comedy production, and a way to relieve the time problem, is to be highly organized. Phoebe proclaimed herself absolutely “organization obsessed”. Running a show for her is next to impossible without her gadgets and tracking tools. I guess this is where it pays off to be in touch with technology, fellow comedians! “Being around people who are supportive not only of their own careers but the industry as a whole is so inspiring” Phoebe starts off using two main spreadsheets: “ categorized into MCs, headliners, middle acts etc.” This stuff is important when trying