WristWatch Magazine #18 | Page 111

Rexhep Rexhepi at the bench. when his father was asleep, out came the screwdriver and he tried to open it to look inside. ….You can guess the result of course, yet the seed was sown and the move to Switzerland allowed it sprout and take root, when Rexhep passed entrance exams and was able to start at Patek Philippe in Geneva as a student and later as an apprentice. It was there, when he was only 14, that he decided although he enjoyed working for others, his real goal was to establish something of his own in the future. After leaving Patek Philippe, he worked in the atelier of F.P. Journe and later BNB Concepts, who used to create high end movements and prototypes for other Swiss brands. After BNB Concepts eventually went into receivership, Rexhep felt the time had come for him, at the age of 25, to found his own company, AkriviA, and forge a personal future. When he presented his first timepiece, the Tourbillon Monopusher Chronograph, many collectors took notice, and today, some three years down the road, he has presented four other tourbillon models in several finishes and variants in dials and hands. One of the first things that hits you when you look closely at an AkriviA timepiece in the metal under a loupe, is the extremely high level of finishing; the entire watch seems to sparkle, from the inside out so to speak, as a result of the light bouncing off all of the exquisitely polished surfaces. The result is that when I look inside one of his timepieces, I get that warm, watch-nerd glow in my eyes, and it is a rare treat indeed these days. I was totally enthralled with his latest timepiece presented at Baselworld 2016, the Tourbillon Barette-Miroir, with its classically mounted and stunning black polished and blued numerals and an incredibly delicate, arching center bridge viewable from the back of the movement, not to mention the highly polished surround of the the tourbillon with its delicate poising weights. I grabbed Rexhep in-between some client meetings and had to ask him about his working philosophy and AkriviA. A central question for me is why Rexhep accentuates the fact that AkriviA is a Geneva based company founded on promoting and protecting the traditions of the city’s watchmaking traditions and legacy, whilst he is so young and much of the finishing executed, like that on for example the pinion leaves and shoulders and other such minute parts, will never be seen by the actual user: RR: “As you can imagine, my training at Patek Philippe imbued me with certain values. So I learned how to produce, make and assemble timepieces with the highest expectations. It has become an integral part of my mentality and approach. For these reasons, my objective is to deliver a watch only with a very high quality. And for me, this 2016 | WRISTWATCH 111