Worship Musician NovDec16 | Page 15

BASSGUITAR WHAT DOES IT TAKE BE A SESSION BASSIST? (PART 1) This particular question does not cross every bassist’s mind, but it’s one that could possibly lead to a career doing what you love right on your own home turf. You might be someone who has heard the call to travel all over the country/world supporting artists and meeting many people; or maybe not. It’s totally up to you. Just in case you think that being a studio player is something you might like to do, there are some serious requirements. First, the most obvious requirement is large amount of natural, God given talent! Along with that, there are other very serious “sub” requirements; all of these that I am going to discuss are very important personality traits. To be very frank, you have to really, really want to “do this” because it requires an enormous, unlimited On another day, you might record ten songs that can be WAY harder to endure than the supply of patience, long suffering, very thick over a nine-hour period, have a great time, “over-play” scenario. Both are very challenging. skin, a servant’s “humble” heart, and a tireless, and have the uncanny ability to do NO wrong POSITIVE attitude. If this isn’t close to describing whatsoever (the “humble” part most definitely I am just scratching the surface as far as the you, then you might want to consider pursuing applies). There are so many possible “in- personality/emotional concerns for being a other options with your abilities. between” scenarios that you just plain never session bassist. The next article I will discuss know what the emotional requirements of the more There are a myriad of creative personalities day might be. Even with a producer that you blessings be on the work of your hands! you could potentially work for - song writers, know well, they may be bringing in an artist who producers, arrangers, or independent artists could be any number of personality types (nice, willing to pay handsomely just to pursue their courteous, appreciative, demanding, insecure, dream. Depending on which one of these types arrogant, controlling, etc.). Whichever type they you are working for, you may be working at a are, it can and WILL affect your day and how one-song-per-day pace of playing that song well or poorly you will play. musical requirements. May God’s over and over in several different styles. Or you might have to play the same song fifty times You have to be able to read minds, figuratively. (makes for a very long day) in the same style, all Every producer requires a particular kind of while having your bass lines heavily scrutinized performance that you should be capable of. It under the most intense microscope between may be one who typically likes you to be overly every take. You can easily understand how generous with your spontaneous bass line the aforementioned emotional requirements ideas. The other extreme may be a producer alone are needed to take on this particular that you are working for who wants you to play kind of situation. as basic and “no-frills” as possible. Sometimes Nov  Dec 2016 WorshipMusician.com GARY LUNN Session player/producer/ writer in Nashville, TN. Attends Grace Church (gracechurchnashville.com) in Franklin, TN. Email him questions, comments, or for scheduling at [email protected] 15