PRACTICAL SYSTEM ADVANTAGES the integrated Bluetooth on the console. This for easy patching of additional instruments, like
As mentioned above, this system has a ton is pretty handy for quick and easy pre or post woodwinds, brass, choir, strings. We regularly
of inputs and outputs. We are currently using service music. use around 36 inputs every week for worship,
18 inputs on the console itself at FOH, which
and on big days like Easter, Christmas or our
include wireless head worn and handheld mics, Again, we are using three NSB16.8 AVB various program playback devices including a networked stage boxes; two are on the computer running ProPresenter, a computer platform for our backline, and the third one is Currently, we use 16 output channels for
running our environmental projection audio, in our AVL closet that is wired to 2 wall panels musician monitors, and 4 for other mixes like
etc. You can also run audio playback using on the platform. These two wall panels allow streaming (broadcast) and assistive listening.
annual musical, we will use upwards of 50.
But this console has 32 outputs! Plenty of
options for stereo in-ear mixes, wedges in
addition to broadcast mixes. The outputs in
the system, called FlexMixes, can be either an
auxiliary mix (monitors), a subgroup mix (i.e.
drums, backing vocals, etc), or a matrix mix
(basically a mix of any input or mix). We don’t
use the PreSonus EarMix system, but if we
did, that would free up 16 of those outputs…
amazing flexibility to grow!
Another huge advantage is the ability to
save Projects and Scenes. Projects store the
global settings, like routing for digital patching,
FlexMix modes, network settings, etc. Scenes
that share the same global settings should
be stored in the same Project. Scenes store
May 2019
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