Women in Art 278 Magazine July 2017 | Page 27

Israeli artist Liora Karmon Ce ra mics TOP THE GAS MONOPOLY Stoneware, 42 cm X 20 cm X 20 cm Inspired by the public’s struggle against the attempt of mega-companies to control the gas resources of Israel, described as the known Monopoly game laid over a domestic gas tank. The Monopoly soldiers are climbing on the tank, trying to gain control over the gas valve. CENTER Dual Loyalty Stoneware, 48 cm x 43 cm x 29 cm An impossible kettle with 2 spouts representing religious Israeli soldiers. Trust in military command - gun-shaped spout & military ranks, armored body. Trust in rabbinate & jurisprudents -horn-shaped spout, Kippah shaped ranks & shawl uniforms. There is a tear which symbolizes the rupture in the Israeli society. BOTTOM THE REFUGEE PROBLEM Stoneware, 39 cm X 21 cm X 21 cm A traditional water jar which interprets the refugee problem. Refugees are coming from war and crime zones, crossing the sea, climbing on walls and knocking on doors. The jar’s cap is shaped like a bleeding tooth, symbolizing the root canal treatment or the radical change needed in our society to solve the issue. ABOUT THE ARTIST: I’m concerned with everyday issues about variety of topics like the environment, refugees’ migration between countries, violence and internal disputes in my country. I’m influenced by the media – mainly TV, radio and magazines, as well as the social networks.  My works present the issues in a graphical way in order to raise the public’s awareness and promote discussion. My work process is based on assembling parts built on the throwing wheel and altering them as well as hand building parts. Finishing is made by variety of techniques. ART 27 pag e