With an incredible creative team behind her, including Fabien Baron (editorial director of Interview
magazine) as art director, Glenn O’Brien (once a member of Andy Warhol’s Factory) as editor, and of
course legendary editorial photographer Steven Miesel for the creation of images (of which there were,
reportedly, over 80,000 before the final cut) Madonna asserted pure feminine power within the
aluminium covers of Sex, Using the pseudonym Mistress Dita (a homage to German actress of the 30’s
and 40’s Dita Parlo, sex symbol in her own right) Madonna uses the medium of photography to tell
stories of “Dita” and her friends Bunny, Dex, Stella, Chiclet and Stranger.