TopShelf Magazine February 2017 | Page 13



Paul Doiron is the author of the Mike Bowditch series of crime novels . The series — which Paul prefers to call a “ saga ” based on the importance he places on narrative continuity — tells the story a young Maine game warden who appears in the first book , THE POACHER ’ S SON , as the emotionally damaged son of an abusive and estranged father and evolves personally and professionally from novel to novel . “ I always have it in my head ,” Paul says , “ that I ’ m writing the biography of this man who is struggling to overcome his past and become the hero other people believe he can yet be .” Paul Doiron grew up in Scarborough , Maine ; attended Cheverus High School in Portland ; before enrolling in and graduating from Yale College . He was the longtime editor in chief of “ Down East : the Magazine of Maine ,” and is certified by the state as a professional Maine Guide , specializing in fly fishing . He lives on the Maine midcoast and is lucky to have a river in his backyard where he can catch trout after a long day of writing . His wife is the awardwinning poet Kristen Lindquist , author of TOURISTS IN THE KNOWN WORLD .
Please explain to aspiring authors and booksellers just how much work is required , even as a traditionally published bestselling author , to maintain your level of success ? Whenever I talk to aspiring authors , I always emphasize the importance of two things : perseverance and luck . In a way , perseverance is the easier is subject because it seems attainable . The idea that if you just outwork everyone else you will succeed . And there ’ s a lot of truth in that . But luck is the element that makes publishing success alchemy instead of chemistry . Like it or not , you need a little magic to hit the bestseller lists that matter , which are the ones that cause more stores and libraries to order your book .
What ' s the biggest mistake you ' ve seen bookstores make ? And how would you suggest fixing it ? As an author I ’ ve had all sorts of experiences doing bookstore events , some where almost no one showed up ( two people is my all-time low ) and some with crowds out the door . The stores that are most successful in my opinion are those that truly commit to doing events . They understand the importance of publicity and nurture contacts in the press , they publish regular email newsletters to their most loyal customers alerting them to readings and signings , they do enough events that people expect it ’ s a regular part of their business . Obviously space is at a premium in retail , but you ’ d be surprised by how many invitations I get from stores that don ’ t have the physical capacity to hold more than ten people . And there are few things more depressing than showing up for an event and seeing that the buyer has ordered the bare minimum of your books or that he or she doesn ’ t want you to sign stock .
Do you believe there is still a bright future for independent bookstores ? Absolutely . I live in Maine , which has fared better than some other states in terms of retaining independent bookstores and that was because we never had them wiped out during the era of Borders and B & N domination . We ’ re also a rural state with small cities and towns , and one thing I ’ ve noticed is that successful indies seem to be the ones that best reflect the unique characters of their communities . For instance , if you have a bookstore in a seasonal coastal town that empties our in the winter , it doesn ’ t matter if you want to make it a year-round community center . At some level you have to accept that tourists will make up the bulk of your customers and choose books accordingly . That said , you can certainly ‘ guide ’ these buyers to making better choices than some of the more shallow
stuff you sometimes see . To put it in Maine terms : there are good lobster books and bad lobster books .
For the aspiring authors reading this who have dreams of making writing their career , how long did it take before you started earning enough money from writing to pay your bills ? I had written five books ( and was on my third contract ) and had stashed away a nice nest egg before I could make the leap . So this was five or six years into my being published . And I was still anxious ! Here ’ s the thing most people don ’ t understand about being a working novelist : you are paid irregularly and you can ’ t always estimate how much the next check is going to be . In my case , I receive royalties twice a year . Imagine budgeting for a household on two payments a year . Now of course I receive other payments when I deliver a book or one is published . But I have had more than a few anxious weeks waiting for a check to arrive so I can pay the mortgage . The best thing is to have a spouse or partner with a more traditional job or income stream so you ’ re less vulnerable to your publisher ’ s bookkeeping department .
Read more of our interview with Paul Doiron : www . TopShelfMagazine . net
Available : June 13 , 2017 Genre : Suspense Thriller


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TOPShelf magazine FEBRUARY2017