Tone Report Weekly Issue 70 | Page 38

ROLAND BLUES CUBE STAGE REVIEW BY FLETCHER STEWART STREET PRICE $699.00 OLD SCHOOL SOUL MEETS NEW SCHOOL CONTROL The first thing one needs to understand about these classy new Roland combos is that they are not the entry level, do-it-all-on-a-budget Cubes of yesteryear. These are completely gig-worthy amps that brazenly bring together attributes from the boutique, modeling, solidstate and tube amp schools of design. Roland has always been on the forefront of music technology and it is big enough to take risks and push products that aren’t 38 GEAR REVIEW // just safe bets. I am here to tell you that, in tonal terms, with great risk comes great rewards. This new Tube Logic technology is no gimmick. Upon unboxing the Blues Cube Stage, I lifted it easily out of the packaging and was pleasantly surprised to see creamy Tolex adorned with metal corner protectors and a matching badge. So far so good. Taking a peek into the open back of the combo, I checked for cheap particleboard and found only poplar plywood and clean, robust construction. I immediately plugged in my Roland Blues Cube Stage Reverend Hotshot Jr (armed with a Mojotone Gold Foil in the bridge) and got down to business. FUTURE TOUCH FOR THE REAL DEAL FEEL With all the controls set to noon and the power control on the lowest (0.5W) setting, I hit an open G chord. A beautiful, silky clean tone emanated from the cabinet. As I edged up the clean volume, a tweedlike squidgy compression became apparent and my slide work was aided by the extra sustain. When I