STRYMON LEX
The master wizards at Strymon have their own rotary device, and its name is Lex. A
stripped-down control set features knobs for Fast Rotor Speed, Mic Distance, Preamp
Drive, and Horn Level. However, as with other Strymon pedals, there are secondary
functions: Slow Rotor Speed, Cab Direction, Boost/Cut, and Acceleration Time. It is
capable of receiving a stereo input via TRS and is equipped with stereo outputs and
expression pedal capability. The latter can be used to control any function of the pedal, or
you can use a Strymon Favorite switch to save a particular preset to recall at any time. It’s
easy to dial in, sounds awesome, and is wrapped up with that impeccable Strymon build
quality we’ve all come to know and love.
The rotary speaker effect is one that I feel is often less explored. Sometimes gear gets
pigeonholed and we think we can only use it in a certain context because it’s familiar to us
in a certain way and it seems strange to use it outside of that realm. Sure, a rotary pedal is
right at home doing organ sounds, or giving you a spot on “Cold Shot” tone, but there’s a
lot of territory waiting to be discovered out there. Do you incorporate this effect into your
rig? If so, how? If you haven’t used a rotary speaker pedal before, make it a point to do so
at some point in your guitar playing endeavors, and do it with an open mind and willing
fingers. Don’t worry about the past, just accelerate into the future.
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TONE TALK //
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