The Score Magazine January 2020 | Page 25

Reggae Over India (Bombay Bassment): Few bands make good music as consistently as Bombay Bassment. Every track they ever put out is a veritable explosion; one would think they consider it a personal challenge to make sure that no one can stay off their feet while they play. Two Goans, one Mumbaiker, and one Kenyan continue to play around with hip hop, drum ‘n’ bass, funk and reggae in their new single. It's a tribute to India’s burgeoning reggae culture, with Bob Omulo/MC Bobkat dropping Jamaican- tinged rhyme in a voice resembling heady shots of tropical rum. Levin Mendes ( drums), Ruel Barretto ( bass), Chandrashekhar Kunder/ Dj Major C (production/ sampling) frame those vocals with perfectly-timed, adrenaline- inspiring beats that fit right into everyone’s weekend festival plans. Perfectly placed are the time-honoured themes reggae favours - love, peace and human unity. It is an instant earworm, and deserves to be a permanent fixture on all of your should New Year party playlists. Mausam (Sadu): Remember Aryans, the 90s indipop band that gave us Ankhon mein tera hi chehra and it's music video starring a youthful Shahid Kapoor? One of their vocalists, Sadasivan KM Nambisan aka Sadu has released a new single which can be classified as a rock ballad - of sorts. Here’s the thing. Sadu has an admirably trained voiced which he is able to apply with significant skill. In Mausam, he sings of bittersweet longing and anticipation that is often a synonym for love. But his melodious crooning is out of place with the rock instrumental, which against, are very well done. The song has become a classic case of two expertly created, more than legitimate worlds coming together and not quite fitting in. Nonetheless, it does carry nostalgic value. Even though Sadu’s voice would fit better in a star-studded Bollywood romance, it tugs at the heartstrings of anyone who was a part of the indipop craze (Colonial Cousins? Bombay Vikings, anyone?) It is a warm, charming song that is thoroughly uncomplicated. It doesn’t require analysis. You either like it or you don’t. Apparently, Sadu intends to revive “good music with simple melodies and nice lyrics.” While the indie soundscape has plenty of that to offer, Sadu is a welcome addition. The Score Magazine highonscore.com 23