The Score Magazine January 2020 | Page 24

SHREYA BOSE INDIE reviews Girls Amass (Purple Patch): It is difficult to go wrong with classic rock influences. On the other hand, it is also difficult to really stand out with classic rock influences. At this point, even the most casual listener has heard enough of The Who and Deep Purple to identify the primary riffs. It takes a whole other kind of singularity (cue The Grateful Dead) to distinguish a sound as unique in this particular musical context. Purple Patch, a Pune-based rock band falls of achieving that uniqueness. They are a perfectly solid, technically by-the-book unit that remain faithful to the time-tested feel good sounds. Dominated by the guitar, the band swerves 22 The Score Magazine highonscore.com through a slew of not-unpleasant arpeggios in every song. Unfortunately, the vocalist’s drawl does not fit into the mix. It is often misaligned with the instrumentals and displays a heavy, inauthentic-sounding accent. Instead of locating his own musical sweet spot, he sounds like he is trying to emulate his favourite vocalist. While that might be a touching tribute, he is also trying entirely too hard. Girls Amass is not bad, but it is too obviously amateurish. There is not much that makes it memorable, be it the convoluted plea to a lover in Go Easy or the half-nasal enunciation in Hands All Over. Can that be forgiven since this is just their debut and the band is probably trying to come into its own musically? That, listener, is for you to answer.