The Score Magazine August 2019 issue! | Page 33

Go Green Initiative Kevin: Last year, around 40000-60000 water bottles were wasted and hence, this year we decided to Go-Green! The festival is all about sustainability. We aim to preserve our culture. We are now attracting the younger generation to pick up sustainable music instruments and try it out! Our aim through the festival is to reduce the use of plastic and we hope for the Sarawak government to make it a policy to all other music festivals too. Colourful and good looking trash cans at the festival Kevin: Spativate, a social enterprise that activates soulless public spaces and promotes civic participation had taken this initiative to make the trash cans look great at the festival. The idea was to make recycling cool and to soften the image of garbage disposal. The festival has always been a platform to people, societies, and communities to showcase this. It went in hand with our theme of sustainability. Idea behind venue expansion for the festival Kevin: It is impossible to expand the venue as such because the carrying capacity is 8000 per day and if you have more people it disturbs the whole ambiance of the festival. What we figured out from the tourism angle is to either increase number of days, though we are unable to do it, or to have a fringe festival in Kuching. By doing so, you have a pre mini festival before the main festival. People have a reason to come earlier to Kuching and that would in turn benefit the tourism industry. Gustino: About six to seven years ago, we reached the maximum capacity. We thought of another venue like Santubong village and other areas nearby. But the challenge is the lack of facilities. The Sarawak Village provides great facilities for the festival to happen. Many other places are located far away from Kuching. In order to build a new one is a huge investment by the state government. It would be possible to expand this current village but we will have to see how we can do it. We have already expanded the stage areas three times. It the foothill of a mountain and it becomes difficult as it would involve cutting trees which is against our policy. We can see the growth of the festival over the years. We want to encourage more people to try out and play the ethnic instruments of the region. We have managed to get younger people to like this kind of music. About the traditional instruments of the Sarawak region Gustino: The instruments are home made by Orang Ulu tribes, some of who live in the mountains. Access to this village is mostly by flight. Kevin: It used to be very difficult to find out who makes the SAPE instrument. Thank god for social media, now we have people posting there and helps people find these instruments for their personal use. The SAPE is a proud export from the Sarawak cultural export. We have Japanese, French and people from all over the world buying these and taking lessons too. Some even learn how to make it. It used to be a solely Urang Ulu instrument but now because of globalization, interests come from various parts of the world. We have even young people making it now. They are taught how to make it, what wood to be used and so on. The annual RWMF is an international music festival that celebrates the diversity of world music – ranging from traditional to contemporary. The dates for next year are July 10th to July 12th 2020. Do not miss it! The Score Magazine highonscore.com 31