The New Social Worker Vol. 19, No. 4, Fall 2012 | Page 17
I stepped inside the sparselyfurnished living room. An unmade sofa
bed faced a stereo system. A jazz album
jacket leaned against one of the speakers.
There was a music stand and a fold-up,
auditorium chair. One framed, blackand-white photograph of a man playing a
slide trombone hung on the wall.
“Have a seat in here,” he said, waving me into the kitchen and moving aside
sheet music from the dinette table.
“Smells good,” I said, savoring the
scents of the small feast on the stove.
“Oh, I probably won’t eat any of
this.”
As I sat down, I noticed an overflowing trash bucket containing several
days’ worth of previous breakfasts.
“I cook this because it reminds me
of my Molly,” he explained. “Makes me
The Slide Trombone
feel like she’s right here with me.”
Edgar was eighty and dying of pan
Edgar was cooking breakfast the first
creatic cancer. His wife had passed away
day I visited his apartment. The entica few weeks earlier.
ing smell of bacon and pancakes wafted
“Only thing I have left is that sheet
through his slightly opened door. When
music.”
he didn’t answer, I pushed it and called
I studied a page of penciled notes.
his name.
“Did you write this?”
A wisp of a man stepped out from
“That’s what I do,” he said. “Better,
the kitchen. “You must be the social
though, 1
NSW 2011 ad:Layout 1 1/28/11 2:48 PM Page when I have my trombone.”
worker. C’mon in.”
“Where is it?”
“Used to bring that to Trekkie conventions. I was the doorman. Best days
of my life.”
I took down the crescent-shaped
sword and carefully handed it to him.
“Man, I haven’t held this in years.”
For the next half hour, Roland forgot
about the cockroaches and the squalor
of his makeshift bedroom separated by
a moldy shower curtain from the rest
of the rooming house. He forgot about
the heart condition, obesity, and severe
depression that ruled his life. He was no
longer sixty-four and sickly.
“With this, I was somebody,” he
said. “No one made fun of me.”
In the weeks that followed, Roland
was somebody—a time travel warrior.
“Hock shop,” he said. “That’s where
it goes when I’m running low on cash.”
For the next hour, Edgar told me
about how he “played with all the jazz
heavyweights,” like Arnett Cobb and
Jimmy McCracklin.
“Played on the Dick Clark Show in
the fifties,” he said. “Where I met Molly.”
The sparkle in Edgar’s eyes said it
all. I had to find a pawn shop... to see
about a time machine.
A former hospice social
worker in Tulsa, Rich
Kenney, MSSW, is now
director of the Social
Work Program and an
assistant professor at
Chadron State College in
Chadron, Nebraska. He
is a graduate of the University of Texas with a
master’s degree in social work, and received a
creative writing fellowship in poetry from the
Arizona Commission on the Arts.
When not writing, Rich enjoys playing
chess and shooting birds (with a camera).
He’s also dabbled in rainbow-spotting from
the deserts of Arizona and the meadows of
Oklahoma all the way to the sandy beaches
of Cape Cod. He and his wife, Linda, live in
Chadron, Nebraska.
MASTER OF SOCIAL WORK
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LEARN. LEAD. INSPIRE.
The New Social Worker
Fall 2012
15