The Mind Creative APRIL 2014 | Page 20

The Mind Creative March 2014 tonnes; he has his own on-board hydraulic power with specialist circus skilled performers who manipulate Kong’s arms via pulley lines, (reference: King Kong, Media Kit, page 14, 2013). The audience sees cables attached to the puppet, which operate the arms and legs of the puppet like a huge marionette as well as see the puppeteers on stage. What the audience do not see are the controls animating Kong that allow the puppet to perform up to 40 axes of complex and intricate movement. Puppeteer on Kong, Steve Coupe (Sydney Puppet Theatre), says that the big difference in operating this puppet remotely from operating a puppet tangibly is that for once he “could see the puppet as the audience sees it”. A rare opportunity, as puppeteers are nearly always behind, underneath or operating over the top of their puppet. Photo: Scott Barbour (Getty Images) 20