MAQ Magazine n. 13 / July 2019
Having overcome the first obstacle of the word entanglement, the observer finds himself in front of a fascinating picture in his artistic formalization, but still the second point of the question remains: where isthis the entanglement and what does it have to do with the drawn nature?
The entanglement "enters" decisively in the upper left part of the picture as a flow of information, that is energy and spreads throughout the artistic composition, to "exit" from the picture in the lower right. At the same time this flow of colors generates the "universal substratum", from which the nature of Einsteinian space strongly emerges.
(see detail of Natalia's picture, image below)