The G.O.O.D.S. Magazine Winter 2014 | Page 72

great showmanship using themes and concepts central to the current moment and climate of our collective existence. “Making money is art and working is art and good business is the best art. Being good in business is the most fascinating art.” —Warhol Breakfast Club might be that Kanye doesn’t make albums for “the streets” or for “the people” anymore, it’s fairly obvious that Kanye doesn’t just want to sell rap albums, he wants to sell himself, his symbol, to anyone who will buy it, black, white, rich or poor AND he wants to own those images statement, highlighted by much of Magna Carta Holy Grail with songs like “Picasso Baby” is his ascent into the ranks of elite society, as a cultured purchaser of sports teams, expensive paintings, and designer brands. Kanye’s latest statement is rooted in his desire to be seen as an The more exceptional you are, the more influence you should have on culture and society.” Like his heroes: Picasso, Disney, Warhol, Steve Jobs and Jay-Z; Kanye understands that being a good artist means making the biggest impact you can on culture and society. “The more exceptional you are, the more influence you should have on culture and society” (Kanye on Bret Easton Ellis). The aforementioned businessmen, you can argue, offer nothing “productive” other than aesthetics that vibrate with the masses. Art can be useful or wasteful, political or not, there is no clear-cut rule. However, how many people your “product” speaks to is perhaps the only measurement of a successful artist that seems relevant given the inability for art to be categorized or relegated to a solid definition. Art loans itself fairly willingly to commerce and the laws of supply and demand. Good art demands attention, energy, admiration, or even repulsion, which, like it or not, is completely tied to economic value. As angry as Charlemagne tha God of the and ideas. His aim is to push his brand into the stratosphere of Warhol, Vuitton, Dolce & Gabana, CocaCola and other omnipresent brands/ personas that garner mass appeal. I think this is a fairly reasonable goal for one of the more successful artists/ creators of our age. Kanye’s message and style is not limited to albums, and why should it be; as Warhol quips in his semi-autobiography, The Philosophy of Andy Warhol: From Point A to Point B and Back Again, “You can do so much more with a chair than you can with a painting,” meaning, why should a painter confine himself to paintings? Why should a musician confine himself to music? Some will argue that folks like Diddy and Jay-Z already perfected “Business Art” as it pertains to HipHop, which is dually noted herein, however I think ‘Ye is a new breed. While Jay-Z is a more successful business, man, his latest artist elite visionary and “creative genius” accepted by the Art World at large. His collaborations with Bret Easton Ellis, George Condo (My Dark Twisted Fantasy cover art), musicians like Justin Vernon and Daft Punk, and cult filmmaker Spike Jonze, have shown his versatility and ability to be well respected by his artist peers. In short, you won’t find Lou Reed absolutely glowing about the latest Jay-Z album. Jay-Z is a master hustler, Kanye is an artiste extraordinaire. Pop-Art and Hip-Hop Andy Warhol and his fellow PopArtists, Jasper Johns, Duchamp and Lichtenstein, are arguably the forbearers of basic tenets of hiphop culture by virtue of their use of sampling. Pop Art n.: A form of art that depicts objects or scenes from everyday life and employs