THE ESTATE OF GENERAL IDEA Life & Work | Page 39

General Idea Life & Work by Sarah E.K. Smith General Idea draws on found footage from popular television and films, using it to ironic ends. In Part 1 the artists appropriate a scene from the television series Batman in which the Joker presents a blank canvas as part of a painting competition. His entry is initially met with confusion, but when it is seen as symbolic of the emptiness of modern life, the Joker wins the contest. General Idea believed that the Joker was based on French artist Yves Klein (1928– 1962), who had appeared on American 3 television on The Ed Sullivan Show. General Idea employs this clip to criticize art and the notion of the artist as a singular, tortured genius, which they saw as a fraudulent spectacle. In Part 2 a series of dancing scenes is set to upbeat music and barking. This section foregrounds poodles—a significant image in Video still from General Idea, Shut the Fuck Up, 1985, colour video, 14 min., various collections. This still features found footage from the 1960s television show Batman General Idea’s oeuvre intended to represent the queer artist. Imagery of fornicating neon dogs is 4 overlaid on scenes of people dressed as poodles dancing in a studio. This footage was 5 appropriated from an Italian television music show at the time. The section is bookended by a dialogue between Partz and AA Bronson about artists and the media, a fast repartee filled with puns. Fittingly, the artists appear dressed as poodles. Part 3 opens with footage from Anthropométries, a series Yves Klein created in the early 1960s. In these events, Klein choreographed