The Belly Dance Chronicles October/November/December 2015 Volume 13, Issue 4 | Page 16

it is quite difficult to get that type of grant, I finally met their requirements and had the chance to stay in Rajasthan for 4 months. This gave me the opportunity to get to know many artists, among them the best gypsy dancers, singers, and musicians… as I totally fell in love with the true gypsy culture, as I studied with them, and sharing time with them.” Because my students wanted to see India as I had come to know it, my students pushed me to organize a tour. That’s why I got into organizing 3 weeks tours to Rajasthan. In this very short time frame, due to the way I organize the tour, and because I invite local artists to share their knowledge with my students, these tours are quite successful and I now offer them twice each year. Every year I organize two tours with dance workshops: one in Marrakech/Morocco in Autumn, and one in Rajasthan/India in Spring.” Says Leila, “Part of the reason I plan and organize these tours is to promote and support the teaching gypsy dancers – and foster the tradition of learning and experiencing the culture - just as I have become a teacher of Raqs Sharqi based on my native-born talent and knowledge.” We all wish Leila much success in proselytizing and continuing to provide choreography, performances, and instruction of Raqs Sharqi/Oriental Dance throughout the world. With her immigrant background as an Arab with Syrian heritage – she is in the best possible position to extend her knowledge by mentoring future Oriental Raqs Sharqi dancers who may be among the new wave of Syrian immigrants in Europe. Photo by Carl F. Sermon MA*SHUQA MIRA MURJAN Ma*Shuqa Mira Murjan has been performing, teaching, and coaching for over 40 years. Ma*Shuqa and Leila have been professional colleagues for many years and their paths have crossed at many festivals and workshops. Most recently, Ma*Shuqa sponsored and hosted Leila Haddad for workshops at her Los Gatos, CA, studio and for the Mendocino Music and Dance Camp 2015. Her Ma*Shuqa Method gives dancers a structure for developing improvised choreography while performing with individualized styling. Her workshop is perfect for teachers and dancers who want to enhance performance dynamics and styling. She has authored many articles on aspects of professionalism and performance in Middle Eastern dance – including a key work entitled “Raqs Sharqi Improvisational Takasim Dance Part 2: The Performance Intersection of Music, Raqs Sharqi, and Tarab” found at www.MaShuqa.com Ma*Shuqa offers dancers extended study opportunity through her Diva Dancer Professional Development Workshops which offer dancers topics on cultural aspects of music, rhythm, and dance theory to enhance their weekly studies and performances. As a dance photographer – what she sees through the camera lens reflects a dancer’s professionalism. Her husband, Carl Sermon, is well-known for his festival and performance photography of Oriental dancers. Ma*Shuqa and her husband Carl work together to provide artistic direction and performance photography for photo sessions with Oriental dancers. See their work in The Belly Dance Chronicles magazine, The GildedSerpent.com E-zine, and www.CarlSermonPhotography.Zenfolio.com 16 The Belly Dance Chronicles  October 2015