The Belly Dance Chronicles October/November/December 2015 Volume 13, Issue 4 | Page 15

to Bert that I met Shukriya, producer century… Loie Fuller, an American of the Rakkasah Festivals, who dancer, put in light her dance with 35 immediately organized a workshop meters of material, which is now used for me. And thanks to Bert also, I met in our dance and known as ‘Isis wings’. Najia Marlyz who wrote a beautiful Other Americans, Ruth St Denis article about me in the ‘Habibi’ and Ted Shawn, shed light on and magazine. I became a great success introduced movement from the sothanks to Bert and Morocco because called ethnic dances. Martha Graham they both talked to their contacts in and Merce Cunningham were order for them to sponsor me. Bert great choreographers, who put their and I stayed very close until he went performances in theaters and helped to another world. I want to share a create a strong basis for Contemporary story that I remember him telling me dance as a theatre performance.” - this funny story about my coming Leila goes on to say, “I believe to Stuttgart to take his workshop. that Raqs Sharqi has to exist also in Bert says with his inimitable the theatres for its total recognition. accent “ZO… When my German Dance is a PASSION - Some people sponsor told me there was a person are born dancers, they have no choice. In a theater in Stokholm (Sweden) called Leila Haddad coming to the I was born that way. How many workshop, I thought you were a very students study literature? And how old Lebanese lady coming to criticize me… AHAHAH!” many of those students, how many become writers, poets Leila says of her Oriental dance career: “I love teaching: it very few. Dance is LIGHT - Dance is FIRE - Raqs Sharqi is keeps me grounded and humble. I consider myself always multidimensional: it is sensual, soulful, physical, intellectual, as a ‘student dancer’. One day, I read an interview of a very and spiritual. It has many layers. We use all our chakras. famous French actor and he begins his interview with this Put together, a dancer creates a sacred architecture on stage. sentence: ‘Me, Jean Vilar, 83 years old, student actor…’ » ‘DANCE’ is the most beautiful verb in the world. Although WOW!!! Dance has taught me humility, patience, total we learn movement and dance choreographies, the most dedication. Dancers are like flowers in an immense garden: important thing that we cannot learn is CHARISMA. We different and unique. I am very proud to have opened the dream of this ethereal element of dance professionalism – doors of what I consider the modern temple: THEATRE. but it can only exist on the large theater stage.” Dance is my religion. Dance is my nationality. Dance is my life. I remember my muse, Isadora Duncan, who said We see that you are organizing and leading travel tours ‘DANCE YOUR LIFE. Dance of the future will come to Rajasthan? How is East Indian dance related to Raqs from the past. Dance of the future will come from Africa’.” Sharqi Oriental dance? Leila is ebullient and replies, “The reason why I organize Leila, can you comment about the relationship of trips/workshops to Rajasthan/India is my desire to share Oriental Raqs Sharqi to other classical forms in the world my love for the Gypsy dances, Kalbelyia Dances from the of dance and tell us the similarities and differences found Kalbelyias people. A few years ago, I went to the theatre to see in professional dance forms? a performance of Gypsy dances, among them, the Kalbelyia, Leila explains, “Our dance form, Raqs Sharqi, although and I was struck by the similarities with the Ghawazee/ it is an old art form within the contemporary world of Gypsy dances from Upper Egypt. I then decided to go and dance, is very young in the world of dance performance on study in Rajasthan and learn more about this connection. I the theater stage. Raqs Sharqi has been taught in the US was very fortunate to meet some dancers of this ethnic group for 50 years, and by comparison, ballet started in the 16th and after I had traveled to Rajasthan a few times, spending century in France with Louis XIV – with movements from between 4 to 6 weeks in country, I received a very prestigious fencing. Contemporary dance was pioneered by the love European grant called ‘Villa Medicis outside the walls’ that of my life, the American Isadora Duncan. In the late 19th is given to very few choreographers every year. Although October 2015  The Belly Dance Chronicles 15