has the capability to stain porous surfaces, such as skin, down
to at least two layers. We then explored the ancient timeline
of henna, and discussed the cooling effect that henna has
on the skin and how it has been used throughout history as
a form of relief from the heat in hot climate regions. From
this, we learned how the application of henna became a form
of art all of its own. The trend spread throughout northern
Africa, the Middle East, India and the Mediterranean.
We then viewed the visual aspect of henna through a fine
craft lens, and took appreciation of how each culture has
developed their own creative aesthetic style. We discussed
the similarities and differences of visual elements from each
culture, such as geometric shapes, florals and fillers.
We finished the Introduction to Henna history lecture with
a summary of how henna is used in modern times. It has
become more fashionable and trendy, as well as ritualistic.
We reviewed how henna is an important part of traditional
Indian ceremonies, mainly weddings, and how the henna
designs on the bride and wedding party are not only a
decorative element, but symbolize how the people revere
and uphold ancient roles and family beliefs and traditions.
We then moved onto a step by step run through of how to
make and apply your own natural henna, how to make a cone,
and how to use a jacquard squeeze bottle! We talked about
how it is important to know where your henna comes from
and exactly what ingredients are in your henna, so as not
to become victim to harsh chemical burns from henna that
contains harmful chemicals. There are also different types
of “henna” such as Jagua and White Henna. We discussed
this so that the students were able to take away some useful
knowledge on the choices available to them.
Then for the fun part! I had enough cones so that each
participant was supplied with 3 cones. One to work with
in class, and two to take home. Everyone was also given
a handout with several henna designs for inspiration. We
learned a simple way to transfer printed henna designs
onto the skin, for those who prefer not to free-hand draw.
We talked about how to hold the henna cone so as not to
strain your hand muscles. We listened to music and played
with henna for about an hour! As issues came up we would
discuss them as a group. For example, when the tip of your
henna cone starts to become clogged with the henna that is
October 2017
The Belly Dance Chronicles
45