The Belly Dance Chronicles Oct/Nov/Dec 2017 Volume 15, Issue 4 | Page 10

Ma*Shuqa Mira Murjan: Tell us how you started oriental dance? Where and with whom did you begin? What do you love about this dance genre? Victoria Teel: Starting to belly dance was a happy accident for me. I was a tomboy who played competitive soccer for more than 11 years, until my older sister saw a belly dance recital. She was interested in taking classes, but didn’t want to try it out alone. Next thing I knew, I was addicted. I was practicing any moment I had and soon found my way into festivals, competitions and the YouTube belly dance black hole. My first teacher, Viviane, provided a great learning environment where I could work on technique and develop my skills. Workshops and DVDs became my best friends, helping me explore new styles within the dance. When I moved to Washington, D.C., four years ago, I met Faten, the former director of the National Folkloric Troupe of Egypt. Faten is a fountain of knowledge of folkloric styling, oriental dance history, and an amazing mentor who I am blessed to have. She has taught me more about the history of the dance and guided me in the belly dance industry. Anyone in the D.C. area should study with her. No matter your style, she will teach you so much! M: Share your experience being on the road with the Bellydance Superstars (BDSS). VT: I will never forget my tours with the Bellydance Superstars. Two weeks after auditioning in Los Angeles in 2011, I found myself at rehearsals for the Bombay Bellywood show in Japan. This lead to tours for Club Bellydance, Magic of Dance, and Danzara. My years with Bellydance Superstars taught me how to take my dance to the next level. Not having any dance training outside of belly dance, I definitely had a learning curve to conquer while working on the ballet, bollywood, and modern fusion pieces. This also pushed me to develop my body with cross training. I loved the environment where I was working with dancers better than me, always pushing me to another level as well as being able to perfect choreographies by performing them six nights a week. The skills and relationships I made on tour are invaluable and something I hold very dear. Photo by Princeps Studio