The Art of Flamenco Guitar Paris Pliakas - The Art of Flamenco Guitar- joomag | Page 42

tone with Tarranto but when played as a
guitar solo it has a different tone.
MIRABRÁS : It belongs to the family of
Alegrias and is sung in the characteristic tone
of Alegrias por Rosa and Romera.
MURCIAÑA : Murcia has also its own mine
song which is called Murciaña and is a “cante
de levante” version of Fandango, very similar
to Gartagenera.
NANA : This is the lulling song Andalusian
mothers used to make their babies sleep.
PALMARES:
Religious
song
with
Hispanoamerican roots.
PANADEROS : The baker’s dance is based
on a very exciting and vivid rhythm, similar to
Sevillianas. It took their name since
“panaderia” means the baker’s shop and
panaderos their dance.
PETENERA : One prostitute from the village
of Paterna de la Ribera passed to the history
as the superstituous element of Flamenco.
Supertituous gypsies never sing this song in
public because they have connected it with
death.
POLO : Build on the rhythm of Soleares it is
one of the primitive Flamenco songs. Its
character is very similar to that of Caña.
ROÁS : This oriental originated song is very
soldemnly heard today only in gipsy juergas
(private music events).
ROMANCE GITANO: Primitive forms of
flamenco songs that have been lost over the
years were also named CORRIDOS or
CORRIDAS.
ROMERA : Flamenco song which belongs to
the rhythmic family derived from Alegrias and
Cantiñas de Cadiz.
RONDEÑA : When the Fandango de Ronda
is sung, its rhythm is very similar to Verdiales
de Malaga. When it is played as a guitar solo
it is quite different in character, mood and tone
being a personal cretion of the great guitarist
Ramón Montoya.
RUMBA FLAMENCA : Latin American
rhythms penetrated the Spanish music just as
Spanish rhythms influenc