illustrating fictional scenarios to creating impossible movements through creative editing . The final loop segment whereby Sierra continually opens the door to find herself back in the bathroom further situates TikTok as a cite of play as Sierra can digitally augment reality through utilising TikTok effects ( Bresnick , 2019 , p . 4 ). The trope ( action / cut / match ) is commonplace on TikTok . Know colloquially as ‘ transitioning ’, the flexibility of this technique affords its incorporation into many different genres of videos , with the # transitionchallenge currently tagged over 340.2 million times on TikTok . The popularity of transitioning , combined with its illusionary effects , demonstrates how users utilise the features available to replicate more intricate and computerised effects as seen in professional feature films .
The frequent change of camera position / angles to depict a single movement such as turning around or unfolding the note not only utilise a professional technique , the match cut , but demonstrate Sierra ’ s more intricate skills .
Hisp348
On film sets , match cuts are achieved through filming from multiple angles and cutting between cameras to create a scene from multiple viewpoints . Sierra achieves this using a single camera , TikTok features , and through continually switching the position of her phone . This specific skill demonstrates how professional techniques , such as the match cut , are employed by professionals and amateurs through vastly different methods yet to produce similar effects . Subsequently , this brings to question the classifications of professionalism . Is it the method or the result ? If both achieve the same effect with alternative means and equipment , is the regiment for professional standards based upon how activities are conducted or the product of work ? This demonstrates how technology , like TikTok , is blurring the distinction between amateur and professional by providing amateurs the means to parallel professional standards . It is essential to note that this does not imply Sierra is of the same capability as a professional director ; however ,
HISPANIC STUDIES
133