Sevenoaks 23: IB Art Exhibition | Page 28

mmunication of Ideas and Intentions
Sara Bessel
Josh Birch-Jones
Anthony Bristow
Alex Chaya
George Crusher
Sophia Gillett
Eli Grimes
Fenella Hodges
Process Portfolio Screen Conveying mood and emotion through light and surface
aim with this piece of artwork is to convey mood emotion through the ripples of the water through pebbles . I have done this by making the painting htly ‘ blurred ’ and undefined as one looks at it from ose distance . However , if one were to look at the nting from a distance ( of a few meters ), it would k exactly like the photograph . Therefore I have n able to change the actual perspective of how artwork is looked at . I have used this technique ause I want to create more than one way to look n artwork . Mostly , you can have different opinions , very rarely different viewpoints / perspectives . My s have been achieved here by the use of my style choice of painting . Using oils , i can blend one our into another , but still have the colour ’ s being inguished from one another . The visual effects this stic manner of painting nature creates a sense of ‘ parallel ’. However , my work can be viewed as to similar to William Turner ’ s work . His work is slightly tract , and with visual effects of slightly blurring the hed product , similar to what I am trying to achieve my own work . Turner has also used a similar number olours to my work , though the nature depicted in work is defined , less abstract , and has a different e of light shown in the piece of art .
Reviewing , refining and reflecting My work is successful in the view that it has the ability to make people wander about their own perspective of the piece of art . Also , the theme of nature in all my projects makes the contents of the painting simpler , but the viewpoint can be difficult for a singular person to perceive . However , this artwork can be improved . Occasionally I have left the carbon marks from the carbon paper at the beginning of the project moderately visible underneath the paint , but this is only where the paint has been applied in a thin layer . My next project is painting the surface of rippling water of a swimming pool . Therefore , with more solid colours , and more chance to blend more thoroughly , i can make sure the carbon marks do not show . There are aspects that I would like to change , for instance , the focus of my paintings . I would like to paint marine animals . The larger context of my developing work could also focus on how the water I am used to painting is moved around by the swimming fish . It also would have major connections with my interest and ambition to have a career in marine biology .
Critical investigation William Turner was an Eng water-colourist and printm his ‘ expressive colourisatio and turbulent , often violen work later became more a is an increased atmospher the most influential artists In William Turner ’ s piece o lake ’, he has used an inten accentuate the violence of opinion , I think that Turner a impressionistic style , wh technique for when he wa done this to revolutionise a invoke a particular sense o scenes full of violent colou particularly successful , thr described as almost an ‘ u when looking at the extrem used contrasting colours t out to the other . It was Cla France , that had inspired T landscape in an abstract m own ideas and theme is th presenting natural and ma scenes . In my ‘ pebbles ’ pa from similar pallets , but I h these colours .
Helena Kiggell
Delaney Kim
Yoyo Li
Imogen Moran