mmunication of Ideas and Intentions
Sara Bessel |
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Josh Birch-Jones |
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Anthony Bristow |
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Alex Chaya |
George Crusher |
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Sophia Gillett |
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Eli Grimes |
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Fenella Hodges |
Process Portfolio Screen Conveying mood and emotion through light and surface |
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aim with this piece of artwork is to convey mood emotion through the ripples of the water through pebbles . I have done this by making the painting htly ‘ blurred ’ and undefined as one looks at it from ose distance . However , if one were to look at the nting from a distance ( of a few meters ), it would k exactly like the photograph . Therefore I have n able to change the actual perspective of how artwork is looked at . I have used this technique ause I want to create more than one way to look n artwork . Mostly , you can have different opinions , very rarely different viewpoints / perspectives . My s have been achieved here by the use of my style choice of painting . Using oils , i can blend one our into another , but still have the colour ’ s being inguished from one another . The visual effects this stic manner of painting nature creates a sense of ‘ parallel ’. However , my work can be viewed as to similar to William Turner ’ s work . His work is slightly tract , and with visual effects of slightly blurring the hed product , similar to what I am trying to achieve my own work . Turner has also used a similar number olours to my work , though the nature depicted in work is defined , less abstract , and has a different e of light shown in the piece of art .
Reviewing , refining and reflecting My work is successful in the view that it has the ability to make people wander about their own perspective of the piece of art . Also , the theme of nature in all my projects makes the contents of the painting simpler , but the viewpoint can be difficult for a singular person to perceive . However , this artwork can be improved . Occasionally I have left the carbon marks from the carbon paper at the beginning of the project moderately visible underneath the paint , but this is only where the paint has been applied in a thin layer . My next project is painting the surface of rippling water of a swimming pool . Therefore , with more solid colours , and more chance to blend more thoroughly , i can make sure the carbon marks do not show . There are aspects that I would like to change , for instance , the focus of my paintings . I would like to paint marine animals . The larger context of my developing work could also focus on how the water I am used to painting is moved around by the swimming fish . It also would have major connections with my interest and ambition to have a career in marine biology .
Critical investigation William Turner was an Eng water-colourist and printm his ‘ expressive colourisatio and turbulent , often violen work later became more a is an increased atmospher the most influential artists In William Turner ’ s piece o lake ’, he has used an inten accentuate the violence of opinion , I think that Turner a impressionistic style , wh technique for when he wa done this to revolutionise a invoke a particular sense o scenes full of violent colou particularly successful , thr described as almost an ‘ u when looking at the extrem used contrasting colours t out to the other . It was Cla France , that had inspired T landscape in an abstract m own ideas and theme is th presenting natural and ma scenes . In my ‘ pebbles ’ pa from similar pallets , but I h these colours .
Helena Kiggell |
Delaney Kim |
Yoyo Li |
Imogen Moran |