Sennockian 2018-2019 | Page 58

H aroun and the S ea of S tories Salman Rushdie’s powerful storytelling is at the heart of this Year 9 play. The story follows Haroun, son of the great storyteller Rashid, who goes on an adventure to help restore his father’s power of storytelling. The production used an ensemble approach, with cast changing in and out of roles between scenes (indeed even between nights with the dual casting adopted by director Gavin Henry) thus reflecting the fluidity of the stories themselves. Four students undertook the role of Haroun, taking over from one another for different sections of the story, but all of them remaining on stage for nearly the whole evening. The complicité between Clemmie Mayhew, Max Joseph, Issy Neill and Emilia Wood was thrilling. 52 PERFORMING ARTS Russell Dean’s costume and puppetry creations brought a vibrant and bold style to the production, including a particularly impressive full-body hoopoe bird costume, complete with rollerskates. Puppetry was well employed, allowing the storytellers to show us how we could fly on a bird’s back to a magical city, or that fish have an awful lot to say for themselves. Haroun and the Sea of Stories was a delightful and magical evening of storytelling, told with energy, vibrancy and a genuine childlike enjoyment of playfulness. Karl Niklas