of the cello introduces us to Custos Di
Piace, in which we hear a great rendition
of Lione, while musicians and orchestra
captivate the listener with that magical
sound and feeling.
With A Tale of Magic, Rhapsody of Fire
again returns to the fray with a track
aggressive and energetic, but without
haste maintaining a strong and heavy
halftime thanks to Holzwarth. The
orchestra is used with more discretion.
Roberto gives us a more energetic solo
that continues to be melodic. While Fabio
plays with his voice to achieve more
aggressive tones before reaching the
end. Apparently the line of the record
has changed to deliver more vehemently
songs and so we can listen to in Dark
Wings Of Steel, a song that features epic
nuances without getting to the profusion
of old ones. However, its structure is
repeated until the middle of the song
where we enjoyed the turn of the solo.
And now the choir and orchestra are
responsible for bringing this song to its
critical point and bring it to fruition.
Sad Mystic Moon is the last track that
returns to the semi slow and heavy
compositions, loaded, yes, with a
nostalgic sound initiated by the cello.
The song has moments of relative
constant animosity but is being charged
with melancholy that practically will not
abandon us.
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