R Magazine, Ex-TeenArt_Issue 1_Authenticity Jun. 2015 | Page 21

inspired me in sense of which
I like to take challenges and
impose myself to constraints.
I found the theme of this
issue very interesting to try, to
educate a little bit more my
look. Therefore, I won’t say
if that was difficult or easy
but it was rather playful. I like
when there are constraints
to respect; I feel freer to act.

Do

Médiathèque José Cabanis-Toulouse-Jean Pierre Buffi et Agence Séquence

you like to work in
black and white? For which
reasons?
I don’t often work with black
and white but if I do so it is for
a good reason for instance,
to accentuate forms and
composition .What I like
in black and white, is that
the picture has a stronger
impact than in colors.

How do you decide if the
final result of a picture will
be in colors or in black and
white?

who are your references in

the field of photography?

My first reference in the
field of photography is
Vincent Munier, a naturalist
photographer.
To
take
in photo architecture, I
inspire a lot myself by his
way
of
photographing
animals. Then there are
others photographers of
architecture who help me
to sharpen my look as Eric
Dufour or even Eric Forey.

And

in the
architecture?

field

of

There are a lot; I like very much

Japanese architecture. The
works of Toyo Ito, Kenzo
Tange, or even Tadao Endo,
inspire me very much .I like
as well Mies Van der Rohe,
Norman Foster, Herzog and
Demeron, Renzo Piano; Peter
Zumthor, the list is long and
I could still cite full of them.
But globally, I like refined
and firm architecture.

D

oes the theme of our
issue “varnish” inspire you?
Was this exigency difficult to
respect?
It is true that I am not used to
work black and white, I make
some pictures of it, time to
time, but it’s all. This theme

It depends; sometimes I think
the picture in black and
white since the shooting but
I still sho