R Magazine, Ex-TeenArt_Issue 1_Authenticity Jun. 2015 | Page 20

extracting poetry that is not
obviously seen at first sight.
I consider my photography
as a painting and not as a
commercial representation.

Your

photos
represent
exclusively buildings from an
outside sight. Is it a choice?

From where these passions

those are photography and
architecture come to you?
They fall a little on me. At
the beginning, I had never
considered to work in this
field. My marks at school
were too low to integrate
the class of second general
.I therefore first do a CAP
of sculpture on wood, then
a BAC pro of stone cutting.
I have really appreciated
those studies, but I was fancy
to do something else, and
my professors of the moment
suggest me the architecture
school of Montpellier .That is
what I have done and I hang
rapidly. Taken by passion, I
continued until obtaining the
bachelor. I realized then that
I was much more attracted
by the graphic aspect of
this discipline. I therefore
stopped and started to
work as an outlooker, then
I found a job in an agency
.Concerning photography, I
have always been more or
less attracted but without
daring do it. I had bought a

reflex low cost during my
studies but I haven’t used
it very often. One day I
had the opportunity to buy
a semi-pro reflex not very
expensive
Therefore, It
make me fancy to make the
final leap and that’s how,
gradually, I started to take
more and more photos. It
became soon a passion.

Does

the
fact
being
photographer
architecture
require
specific material?

of
of
a

To be photographer of
architecture, there is no
need to possess the last

Offices -Toulouse-Architecte inconnu

Yes, it is true. I had never
thought about it .It is
interesting; it happens that I
make a few photos of inside
(out of order), but it is very
rare. Generally, I like to stride
the city looking for what it
can reflect. As the outside
of buildings is the most
visible aspect, I prefer to
work this aspect .But inside
photography could utterly
be a coming project.

reflex of the market. With a
small reflex, very beautiful
pictures can be done.
I can say that the most
important in photography
of architecture, is a good
tripod, particularly on indoor
photos, because the laying
time can be longer. It worth
better investing in a good
tripod than in a good reflex.
Then a wide angle lens
can be useful to play with
perspectives outside and
enlarge the room inside. I
would say that there are the
principal things to possess. It
exists then others lens more
sophisticated notably those
with decentralization or even
flashes for indoor photos but