Preach Magazine ISSUE 8 - Preaching and comedy | Page 10

10 SERIAL The inaugural Sermon of the Year competition has been a resounding success. A collaboration between London School of Theology and Preach, the competition was designed to shine a spotlight on the art of preaching – what are the qualities of an excellent sermon? How can a preacher bring the biblical text alive in today’s world? How can creativity enhance the way we communicate the word of God? A s the survey we commissioned with the Christian Resources Exhibition in the run-up to the finals showed, a resounding majority still love listening to sermons: a whopping 88 per cent of those sitting in the pews on Sunday disagree or strongly disagree that the idea of a sermon being preached in church each week is outdated. Preaching is clearly alive and well, but as most of us would agree, there is always room for improvement. We sought written submissions on the subject ‘Reason for Hope’, and were delighted by the overall standard of the fifty or so entries. Four finalists were selected – two from each age category – based on a range of criteria including exegetical skill, clear structure and a compelling application to contemporary issues. The two under-21 finalists, Jess Makin (aged 16) and Phil Hutchinson (aged 17) both had exams on the day of the finals, so were filmed preaching their sermons the week before. Our preachers in the 21 and over category, Siku and Natalie Collins, preached live to a panel of judges and an audience on the last day of the Christian Resources Exhibition at the ExCel centre in London.