Passage Magazine April 2015 | Page 15

(if I designed it) along with a 3-page article with tips to practice your freestyle. From your point of view, what is the biggest difference in the music you would put together for a regional level Grand Prix vs a national or international one? Some international riders want a music product unique to their freestyle without the risk of other riders using the same music. I have the ability and education to personally create a reference score translating every step the horse takes in a choreography video into a format that studio recording musicians can understand. I surround myself with the best musicians in the business for these projects. I’m well connected with A-list studio musicians in Austin, Texas to produce the same quality popular songs you might hear on the radio. overall volume of each segment makes sense in relation to the rest of the freestyle. Finally, he uses mastering software on the recording and renders it to a soundfile that can be burned to a CD or other media. I do the initial editing in Samplitude and David does all the finishing work in ProTools software. The last step I take is critical to learning your freestyle and a service my clients rave about. I write a script, stride for stride, of the entire choreography. I narrate the choreography with the mastered music to give you the placement of each movement and turn, as well as cues to know the movement is coming up. Because I’m educated in music, I can narrate right on the beat and help keep you working in sync. I burn a narrated CD to send to the rider along with practice and competition CDs. In the package with CDs, you’ll receive finalized choreography diagrams For original music, I work with the Musikvergnuegen studio in Hollywood, California to create a soundtrack second to none. Musikvergnuegen has composed trailer music for some of the biggest films of our time, such as Spiderman and National Treasure, and they also produce music for important advertising accounts like Ford Mo tors. Dr. David Durant taught one of their leading composers and now this composer is available to us to produce soundtracks. David says that his former student could always write like John Williams and the proof is heard in his freestyle music. If studio band and original music don’t fit into your budget, I can produce popular songs at much lower cost to create a uni