Overture Magazine - 2015-2016 Season January-February 2016 | Page 29

co u rte sy o f BSO Mario Venzago Mario Venzago is the principal conductor and artistic director of the Bern Symphony Orchestra and artist in association at Finland’s Tapiola Sinfonietta. Mr. Venzago has directed the Gothenburg Symphony Orchestra and the Indianapolis Symphony Orchestra, and from 2000 to 2003, he was Artistic Director of the Baltimore Summer Fest as successor to Pinchas Zukerman. Born in 1948, Mr. Venzago is a native of Switzerland, and began his piano studies at age 5. Before taking up conducting, Mr. Venzago was a concert pianist at Radiotelevisione Svizerra in Switzerland, and performed throughout Europe as a soloist and accompanist. Mr. Venzago’s recordings of the operas Venus and Penthesilea and of the choral works of Othmar Schoeck received great international recognition and prestigious awards, as did his first film, My Brother the Conductor by Alberto Venzago, which was shown in cinemas across Europe and released on DVD. In the spring of 2015, the collaboration between Mario Venzago and the label CPO on the project The Other Bruckner, with all 10 Bruckner symphonies, was completed. Ste ve J . Sh er man Mario Venzago last appeared with the BSO in May 2015, when he led a program of Schubert, Haydn, Strauss, and Debussy. André Watts André Watts burst upon the music world at the age of 16 when Leonard Bernstein chose him to make his debut with the New York Philharmonic’s Young People’s Concerts, broadcast nationwide on CBSTV.  Only two weeks later, Bernstein asked him to substitute at the last minute for the ailing Glenn Gould in performances of Liszt’s E-flat Concerto with the New York Philharmonic, thus launching his career in storybook fashion. Mr. Watts has appeared on numerous programs produced by PBS, the BBC and the Arts and Entertainment Network, DOWNTOWN BALTIMORE THE CITY IS IN YOUR POCKET. GoDowntownBaltimore.com can help you find a place to eat, a place to grab a drink, a place to see a show, and a place to call your own. January– February 2016 | O v ertur e 27