Overture Magazine - 2014-2015 September-October 2014 | Page 28

{ program notes the National Tour and Phantom: The Las Vegas Spectacular. He also had the pleasure of appearing as the Phantom on television, performing live from Rockefeller Center for NBC’s “Today” show. Ted has sung with Audra McDonald in New York and Marin Mazzie at the opening of the Santa Fe Chamber Music Festival, and appeared as a soloist at Lincoln Center’s Avery Fisher Hall singing Unheard Bernstein. Ted has performed with the Detroit, Portland, Pittsburgh, Ottawa, Omaha, Baltimore, Las Vegas, Fort Worth, Edmonton and Indianapolis symphonies, the Dayton Philharmonic and National Symphony at the Kennedy Center. Ted made his Broadway debut in the highly acclaimed revival of Sweeney Todd. Other Broadway and National Tour credits include Cyrano: The Musical, Camelot with Robert Goulet, Herman in The Most Happy Fella, and Kander and Ebb’s The World Goes ’Round. Ron Remke Ron Remke has previously performed with the Baltimore Symphony Orchestra in All That Jazz: A Symphonic Celebration of Kander & Ebb. He was a featured soloist with the 12 Irish Tenors and is a frequent guest artist with symphonies across the U.S. He has had the privilege of visiting over 70 countries while performing on board the Silver Spirit and the Regent Voyager as a production singer. Credits include Lead Tenor in  The Producers (Westchester Broadway Theater, Pioneer Theater), Hugo in  Aspects of Love, Captain Tarnitz in The Student Prince (Media Theater), Dance Captain of Kiss Me, Kate (National Tour) and appearances at The Fulton Opera House, Marriott Lincolnshire, The Merry-Go-Round Playhouse, Struther’s Library Theater and Cortland Repertory. He has also worked with “Sesame Street” and Nickelodeon as a voice-over artist and is the voice of Juan in Sonia Monzano’s “No Dog Allowed!” His full symphonic CD, Broadway Classics, is available on iTunes and RonRemke.com. 26 O v ertur e | www. bsomusic .org Jo s e ph Meye rho ff Sym pho ny Hall Tchaikovsky & Mozart Saturday, October 18, 2014 — 8 p.m. Sunday, October 19, 2014 — 3 p.m. Arild Remmereit, Conductor Emily Skala, Flute Elfrida Andrée Concert Ouverture in D Major Edited by Susan Pickett Wolfgang Amadeus Mozart Flute Concerto No. 1 in G Major, K. 285c (313) Allegro maestoso Adagio non troppo Rondo: Tempo di menuetto EMILY SKALA INTERMISSION Piotr Ilyich Tchaikovsky Symphony No. 3 in D Major, opus 29, “Polish” Introduzione e Allegro: Moderato assai (Tempo di marcia funebre – Allegro brillante) Alla tedesca: Allegro moderato e semplice Andante elegiaco Scherzo: Allegro vivo Finale: Allegro con fuoco (Tempo di Polacca) The concert will end at approximately 9:50 p.m. on Saturday and 4:50 p.m. on Sunday. Arild Remmereit In 2005, Norwegian conductor Arild Remmereit made five dramatic debuts with the Pittsburgh, Baltimore and Vienna symphonies, Munich Philharmonic and Milan’s Filarmonica della Scala, quickly establishing himself as a major talent on the international scene. Mr. Remmereit was immediately reengaged with the above and since then has returned to other prominent orchestras, including the National Arts Centre Orchestra, the Halle Orchestra, the Detroit, Dallas, Seattle and New Jersey symphonies, and the Seoul Philharmonic. Additional appearances include the Houston Symphony, Buffalo, Naples, Oslo, Royal Stockholm philharmonics, Orchestre Symphonique de Québec, the Mozarteum Orchestra in Salzburg, Deutsches Symphonie Orchester Berlin, BBC Symphony Orchestra and the Royal Scottish National Orchestra. He made his opera debut at Teatro