Overture Boston April 2014 | Page 10

The story of Jack the Ripper easily brings out horror and fascination in any persons mind. It remains as one of the most famous murder mystery cases of late 19th century London. Depending on who you ask, the number of victims, the methods and Jack's identity all change based on opinion.

That's what makes this production so terrifying- all the ends are wrapped up into a psychological masterpiece. Nothing is left to mystery; all the ends are wrapped up and sung through haunting songs.

Originally written in the 1990's, the musical was heavily re-worked by the group. The revisions were so significant that when it opened in the Boston Playwright's Theater, it constituted as a whole new premiere of work. What came out of the work was a heavily sung production, a talented cast, a simplistic but versatile set, perfect period clothing and eerie lighting.

The beginning of the musical takes place with the first supposed murder; in this production it's assumed that there were five murder victims, all of whom were friends. What makes the story really stand out is one woman knows Jack to be her brother, and doesn't stop him until it's too late.

There's more to celebrate about F.U.D.G.E. besides their standout story line- clearly the company is doing something right when they have three sold out performances and nearly full houses at every show. Perhaps one reason why they have such success is their stellar cast.

Matt Phillipps, who played Jack the Ripper, seemed to effortlessly belt out his solo pieces, and quickly transition into a piercing falsetto voice. Whenever he came on the stage, you could see him seductively playing with his knife, letting out blood curling screams in frustration, and always displaying just how deep his psychosis was.

Presented by F.U.D.G.E. Theatre Co., the musical premiered March 28th and ran through April 12th, but the company's commitment to smal community theater lives on.

JACK tHE rIPPER

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all photos credit of fudgetheatre.com

BY KATE DAVIS