right?’ You’re going back and
agonizing and you should be.
You never know if it’s right and
you’re pushing yourself harder
and harder, while on the producing side the questions are ‘Is the
camera going to arrive on time?’,
‘Do we have enough money in
the bank?’ It’s all very cut and
dry, and black and white; it’s
easier to deal with.”
Wondering if the camera would
arrive on time was something
Green let his line producer do
for Wildlike, but it was a concern. The crew had an ambitious
New Jersey Stage
film schedule — roughly 3,000
miles across Alaska during a 31
day shoot. Green says he took
scouting trips throughout the
state and had a good idea of
where the shoots would go, so
everything was considered well
in advance. But, of course, nothing is ever totally set in stone
when you’re shooting in a region
with wild animals and weather
conditions that can change plans
at a moment’s notice.
“It was an ambitious project
and I tend to be ambitious with
my projects,” explained Green.
January 2015
pg 64