Natura March - April 2014 | Seite 49

T he architecture of funerary buildings has become a new and important building type especially in the Mediterranean countries. A number of these new and dramatic buildings located in historical cemeteries have emerged in the past years that show intriguing uses of stone such as Thomas Ghisellini’s Secret Garden, Tavazzano con Villavesco, Lodi, Italy (Natura, November-December, 2013) and Nicoletta Oddera’s proposal for an extension of the cemetery in Gozzano, Novara, Italy, 2009. This project for a new mortuary house by Matos Gameiro Arquitecto is located near the Mediterranean geography in Portugal 6 km. north of Lisbon on the Tejo River. The coordinator of the design team, architect Pedro Matos Gameiro describes Alhandra this way: “In the most remarkable place between Lisboa and Vila Franca de Xira, rises the promontory of Alhandra, hallowed by a church and a cemetery. This place, a terrace over an increasingly larger Tejo river, dominates the surroundings. In front of the church we can find an irregularly shaped square.” Alhandra is a small town located within the boundaries of Vila Franca de Xira. Like the temples of ancient times located at the highest point of a city, Alhandra’s Parish Church of St. John the Baptist is also situated at a promontory point of the city. Because of it’s position the Church is an important visual reference point in the area’s urban fabric that is more at a human scale. This local parish church is surrounded not by a planned geometry but rather an organically developed cemetery zone now surrounded by a residential urban fabric. The challenge for the architects was to conceive of a design respectful of the spirituality of the place that is very detached from the city center and yet in a dominant position in the area. They needed to create a structure that would not destroy the church Vaziyet Planı ve Kesit Site Plan and Section MART - NİSAN 2014 / MARCH - APRIL 2014 • NATURA 49