Music is the muse Issue One - The Interview edition | Page 9

a physical thrill to feel the bass through your spine. As a family man living in London it's
not often possible to do that but my Audio Technica headphones come a close second.
Although I love vinyl – I'm from that generation – iTunes, YouTube or Spotify is generally
the way I listen these days.
In your experience, has the music industry changed for the better or worse? Do
you think it is easier to create and distribute music today than it was in the
past?
The music industry sure has changed. Music is everywhere these days. It's easy and
affordable to create broadcast quality music and there are plenty of opportunities to get
your music out there. I think the creators of music – musicians, producers, engineers,
writers aren't at all valued these days. Spotify is great for the listener – and hugely
profitable for the investors – but just doesn't pay the performers or creators enough. Lady
Gaga had over 110 million plays and got a cheque for $100? That's £60! You'd earn more
in an hour busking in London.
What is the best thing that has happened to you in your career?
I've been incredibly fortunate! Having a hit record with my first ever release opened so
many doors. I've met and worked with really special talented people, travelled the world
and retained a sense of wonder and enthusiasm. It's all been good.
What is the oddest thing a fan as ever said or done to you? Some people are
strange – the things they say are stranger! Too many and too far out to mention…
If you could pick any musician, alive or dead, to collaborate with in whatever
way, whom would you pick and what would you do?
Little Richard – while young and wild. We would make sweet – and loud – music together.
If you could pick any concert in history, which one would you like to attend?
Monterrey Pop in '67 – or The Sex Pistols at the 100 Club.
Your piece of advice to today's bedroom musicians dreaming of a big career.
Work hard, practice harder, don't take anything for granted, don't be a jerk.
If you were stranded on a remote island, which album would you chose to listen
to?
Roots of The Cramps – it's a fantastic compilation of sleazy 50s and early 60s obscure
trashy rock 'n' roll. Guaranteed to brighten up even the sh*ttiest day in paradise!
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