Music & Dance Music-Dance News Sept-Oct '19 | Page 13
Music & Dance News
changed its name to re-
flect the attire. It’s been
the Polka Dots ever
since.
Ray was asked to join
the Polka Dots after Fitch
and Manton Steberg, the
drummer, came to the
Sands’ farm in fall 1949,
to hear him play.
“I was 19 at the time,
so I played and sang
a few songs, and they
hired me on the spot,”
Sands recalled.
Playing by ear
More amazing than
playing with one group
for seven decades is the
fact Ray doesn’t read
music.
“Everything I play is
by ear, and always has
been,” he explained.
“My brother, Wilbur,
who played guitar, was
the same way, and my
sister, Doris, was too, al-
though she received pia-
no instruction and could
read music.”
Ray said he can hear
a new song two or three
times on the saxophone,
pick up the melody, and
after a few run-throughs,
have it down pat on the
accordion.
After he’s played it
through, “it’s locked in
my memory bank, up
here,” he said, pointing to
his head. “I can probably
play close to a thousand
songs from memory.”
Favorite songs
The band’s signature
song and most requested
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September/October 2019
Page 13
Ray Sands continued
tune is “The Ping Pong
Polka,” written by Ray’s
friend, Earl McNelius,
who played in a Wiscon-
sin band called Cousin
Fuzzy and his Fuzy
Cousins.
“He told me the song
came to him one evening
as he was driving home,
so he wrote it down and
sent it to me, and we’ve
been playing it for more
than 50 years,” Ray
said.
Other frequently-re-
quested tunes include
“Blue Skirt Waltz,” “I
Love Little Willy,” “Roll
Out the Barrel,” and
“The Baby Doll Polka.”
First gigs
As a teenager, Ray per-
formed with his brother,
Wilbur, and sister, Do-
ris, for the Hader Hops
dance group in Wana-
mingo and other com-
munities.
“I earned $2 a night
for playing a few hours,
and that was a lot of
money,” said Ray. “I was
used to trapping gophers
for 5 cents a piece, and
making way less than
a dollar a week, so get-
ting paid three times that
for a few hours of play-
ing was a real step up.”
He perfected his ac-
cordion skills by prac-
ticing nearly every night
after milking cows on
the family farm.
“There wasn’t enter-
tainment competition,
because we didn’t have
electricity until the early
1940s, so we didn’t have
television or radio. Play-
ing music, playing cards,
or reading was it.”
The early years
As the band’s popular-
ity grew, they often trav-
eled 100 miles or more,
one way, for a gig.
“It was a busy time,
almost a blur, because I
was also farming with
my dad, milking cows,
and raising 6,000 tur-
keys,” he explained.
The business struc-
ture of the Polka Dots
changed in 1963, when
Fitch retired and Ray
took over bookings,
management, and play-
ing.
The band had eight
regular members at that
time.
In 1970, Ray married
Sue Fossum, a talented
musician from Goodhue.
Sue played saxophone
in the band, arranged
music for them, had her
own musical group, and
taught music in Goodhue
and Kenyon-Wanamingo
schools.
When the Polka Dots
weren’t booked, Ray and
Sue often performed as
the Ray Sands Combo.
For seven years, they
were featured entertain-
ers at the Chart House in
Lakeville.
Other band highlights
include playing at the
governor’s residence, the
Polka Fest in Durant, IA,
and several Miss Minne-
sota pageants.
It was at one of those
events that Ray recalls
his most embarrassing
moment in life.
“The pageant was at
Continued on page 16