MEC: TY English Workbook 2020 - 2021 | Page 154

short, intolerable, but I never remember my grandmother raising her voice to us. She seemed to have endless reserves of patience and kindness, and I felt so safe in that house. I felt as if nothing bad could ever happen there. I don’t remember when it stopped. All the boys, as we called my uncles, moved out and met partners, and had children of their own. My grandad died, a series of strokes eroding his sense of self, one day at a time. I presume adolescence also got in the way, discos and friends and boys and illicit sips from naggins of vodka. I can’t remember when I last spent the night ‘over home’. I didn’t know then that it would be the last time, perhaps forever. Maybe I would have paid more attention if I had known. Maybe I would have stood still and said to myself: “Remember this. Remember all of this.” International bestseller Louise O’Neill is one of modern Irish fiction’s most distinguished voices; whose books are consumed by adolescents and adults alike. The feminist author’s clear-cut, provocative prose examines societal issues with a fine-toothed comb. Her analysis of rape culture, gender equality, mental health and body image, destructive behaviour and sexual politics, has asked many important questions and started conversations that were perhaps waiting to be had. 154