Magnetic Tape No.5 05 | Page 20

MAGNETIC TAPE ZINE The labels I’ve interviewed are generally 1-person projects (at least at the time of interview), how do you manage the label between the 3 of you? Does that present it’s self with any challenges? Andrew: I wouldn’t say there have ever been any massive issues to be honest. Things haven’t always been straightforward, as when we first started Rory was in Cardiff, and Richard and I were in Wolverhampton, and now Richard is in Leicester and me and Rory are in Wolverhampton. Due to distance, it just means we have a lot of online discussion rather than face-to-face, and we have to post a lot of stuff back and forth (for example, with a cassette release, the tapes might have been dubbed in Cardiff, but the inserts printed in Wolverhampton and posted for assembly). Richard: We manage pretty well between the three of us! If anything, I think it has made the label easier to handle and more productive as we can split up the different parts of releases and stuff between us. I don’t think we would have released half of the stuff in our back catalogue if this was a one person operation. What made you decide to start up your own record label? Andrew: For me personally the simple answer is: to make friends, contribute something and most importantly give something back to a scene that’s given me so much since my teenage years. The honest (if a little cringe-y) answer is: since my teenage years reading about the likes of Dischord, SST, K-Records and the other big players of the DIY movement of the 80s/90s I discovered loads of bands I grew to love, but I was always fascinated by the labels and their products. Bands write and record music and play live, but once the concerts finished, or they’ve left the practice room, what happens to the music….? I always felt that labels were equally important because they created artefacts, which given the explosive nature of punk, will outlast the band whose name is on it. Richard: Nobody was releasing music I liked so I thought I would do it instead! I was in between study at university, and had spare time and income, so I played with the idea in my head for months and months. My girlfriend got pretty sick of me going on about it and convinced me to just go for it. I embraced the spirit of YOLO and never looked back. Rory: I just love tangible little artefacts like records and cassettes, and things like zines and comics that are all sorta similar if a considered amount of care is put into making them look and feel special. So for years now I’ve been buying little bits and bobs from other record