LUMEN Issue 29 - December 2025 | Page 7

5
Here are some excerpts of our interview with Ms Choy:

From Sketches to Storytelling

How did your journey as a watercolour artist begin? It actually started with an urban sketching workshop with MOE STAR. I was immediately fascinated by how a simple brushstroke could transform a sketch— suddenly, the scene felt alive.
Why watercolour? It’ s the unpredictability. Watercolour creates spontaneous, organic effects— watching it bloom across the page is incredibly satisfying. No other medium behaves quite like it.

Craft and Curiosity through JAP

What drew you to collaborate with SJI? I’ ve taught art in schools for over 10 years and have a soft spot for students at the beginning of their artistic journey. When invited to design learning experiences for JAP students, I was excited to contribute to a programme that values both tradition and innovation.
How has your experience been working with Josephians? They were exceptional— curious, focused, and creatively bold. Despite a demanding schedule, they showed great enthusiasm and produced work they could be proud of.

Traditional Art in a Digital Age

Why is traditional art still relevant for young people today? In a world of AI and automation, the act of making something by hand teaches patience, decisionmaking, and emotional connection. There’ s something profoundly human in the brush-to-paper experience— something digital media can’ t fully replicate.
Any advice for our community members exploring watercolour? Don’ t chase perfection. Make ten‘ ugly’ paintings, and learn from each. That process is the foundation for growth.